Calling all students – take advantage of our huge student discounts, learn filmmaking before you graduate

Are you a student, interested in documentary filmmaking, video-journalism (becoming a ‘self-shooter’), media communications and marketing, or using video for your final project or fieldwork? We pride ourselves on our affordable and efficient intensive short courses in filmmaking, video production, and video editing, and for students they are even cheaper.

training

We offer our Digital Video Production Weekend — a great introductory course for beginners — for just £180 to students (a £60 discount on the full price), and our intensive Four Day Filmmaking Course — also suitable for beginners, but ideal for consolidating and expanding on basic or self-taught skills — for £350 (£150 off).

We also have a course designed specifically for people who want to learn video skills for academic purposes — for use in fieldwork or on their final project and a course for people interested in media communications and marketing. We have courses running soon — before your final project is due! — and over the summer. If you are graduating this year and interested in pursuing a career in documentary filmmaking, self-shooter video-journalism, media communications and marketing, or academia then sign up now and we will honour the student discount even if you graduate before the course start date.

For more information see our website, or email Charlotte at training@spectacle.co.uk to discuss which course would be best for you.

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Digital Video Production for Anthropologists and Social Researchers Training Course

Book here

Spectacle offers a unique short course in digital video production techniques designed specifically for Anthropologists, Anthropology students and Social Researchers who want to learn to use video in their field research.

Spectacle is an award winning independent television production company specialising in documentary, community-led, investigative journalism and participatory media. We are a small, socially-minded company whose profits go back in to funding our community based work. Our training is affordable and efficient; we teach the basic techniques in just one weekend and we offer large discounts to students and unemployed people.

We schedule weekend courses for individuals regularly throughout the year at our premises in London. However, If you would prefer us to come to you, we are also able to bring our training to your university or institution and teach a group in digital video production techniques. In the past we have trained groups at the University of Cambridge, University of Lancaster, and the Amsterdam Institute of Social Science Research. We received excellent feedback on these courses:

Mark really knows his subject, and I found the course motivating, practical and enjoyable. I came out with loads of ideas.” Student at the University of Cambridge, Conservation Research Institute.

“In two days you really get a feel for what you can do with a camera, theoretically as well as practically.” Participant at the Amsterdam Institute for Social Science Research.

About the course

This is an intensive, hands-on, weekend training course with emphasis on developing your practical filming skills, participatory techniques, and do-it-yourself confidence that will enhance the quality and validity of filmed fieldwork material. The short, condensed and effective course will give all participants a solid foundation of practical knowledge and a working understanding of digital cameras, sound recording, and filming on location.

Feedback from former participants:

This is the type of course every anthropologist and social researcher should take” – Dr. Mattia Fumanti, Department of Social Anthropology, University of St. Andrews

Simple, uncomplicated approach to something people are interested in but perhaps scared of trying out.” – Julie Botticello, Research Associate, UCL

For a full interview with former participant Michaela Benson, Senior Lecturer in Sociology at Goldsmiths, University of London, see here: http://www.spectacle.co.uk/spectacleblog/spectacle-training-courses/interview-spectacle-training-demystified-the-film-making-process/

Details and How to Book

Our weekend course costs £240 or £120 concessions (students and unemployed people, with evidence). We are next running a course on 6-7 December 2013, and then the 10-11 January.

To book, please go here: http://www.spectacle.co.uk/projects_page.php?id=165

For more information on this course or others, see the training pages on our website: http://www.spectacle.co.uk/projects_page.php?id=496

If you want to know more about Spectacle’s work, or have any queries, please email training@spectacle.co.uk

If you are interested in booking the course visit the How to Book page.

For information on other Spectacle training courses

Or contact training@spectacle.co.uk

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 


 

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Incompetent filmmaking is incompetent ethnography

"This is the type of course that every anthropologist should take" 
"Excellent course to get you feeling comfortable with a camera"
"This course delivers on what it offers"
"Mark is extremely experienced, versatile & an excellent teacher"
"Interview technique tips were great"

“Films that are cinematographically incompetent are also ethnographically incompetent (even when made by an ethnographer)” (Heider, 2007: 4).

Producing an Ethnographic Film is not the only reason to incorporate a camera in to your fieldwork.There is no substitute for what the camera can capture. It is an irreplaceable tool, one that can assist you, expand your academic knowledge, broaden your ethnography, enrich your experience and uniquely contribute to the field of Anthropology.

Learning fundamental, basic principles of film-making will make the difference between unusable, poor quality footage and priceless material.

Above all, understand the limitations and the potential of your equipment:

Visit Spectacle and acquire the knowledge you need by attending one of our affordable, intense, hands-on courses in film-making.

References

Heider, Karl G. (2007) Ethnographic Film, revised edition, Austin: University of Texas Press

For more information contact Spectacle at training@spectacle.co.uk

Visit our website and have a look at our upcoming dates for the Digital Video Production Weekend Course for Anthropologists and Social Researchers or find out about our other workshops.

If you wish to book you can find all the details you need on our how to book page.

If you would like more information on future courses and training opportunities sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.





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“Anthropologist and the Camera”

OLYMPUS DIGITAL CAMERA

During our last course on Digital Video Production for Anthropologists and Social Researchers the single most important hindrance, while using a camera during fieldwork, came up; lack of fundamental technical knowledge. Chances are, more often than not, that poor sound, bad lighting, amateur framing and many more careless adjustments will stand in the way of what otherwise could be priceless, irreplaceable footage either for teaching/archive purposes or for professional documentary production.

Alas, the transition from the general theoretical knowledge of cinema, to which anyone of us can get access to (at least to some extent), to the actual implementation of it is highly challenging. Several prestigious universities and institutions, such as Manchester’s Granada Center of Visual Anthropology, have been promoting film-making as part of an anthropologist’s curriculum with great success. Yet, for most universities and especially smaller anthropology departments across Europe, Ethnographic Film is far from available.

My personal outlook on this matter is that if circumstances allow it (which only means if the communities which the anthropologists study allow it), a camera is as mandatory as a notebook. By extension, the quality of the filmed material should indicate an effort analogous to the one generated by the anthropologist for the actual ethnography. Thus, the technical knowledge of filming, sound and editing becomes critical. Nonetheless, as our particular academic interests gradually develop, a MA in Visual Anthropology may become a luxury that not everyone can afford, financially or otherwise. Does this mean that we shall be excluded from this community of anthropologists who have committed to become equally good film-makers as well as ethnographers?

Long story short, the fact that not every anthropologist aspires to a career in documentary and Ethnographic Film, does not justify a potential indifference to the efficacy of high quality filmed material for other purposes. As Mead (2003: 5) points out, we can only “cherish those rare combinations of artistic ability and scientific fidelity”, yet as whole cultures go unrecorded it is “inappropriate to demand that filmed behavior have the earmarks of a work of art”.

Spectacle’s weekend courses are a unique opportunity to acquire detailed and concise digital video filming skills at affordable prices. It is also important to stress that even the most experienced anthropologist does not necessary know the best way to introduce a camera in to fieldwork. With expertise in participatory media, engaging the ‘hard to reach’, as well as 20 years of professional film-making inside and with communities and minority groups Spectacle is more than equipped to provide this difficult to obtain knowledge.

References

Mead, M. (2003). Visual Anthropology in a Discipline of Words. In: Hockings, P. Principles of Visual Anthropology. 3rd ed. New York: Mouton de Gruyter. pp. 3-10

For more information contact Spectacle at training@spectacle.co.uk

Visit our website and have a look at our upcoming dates for the Digital Video Production Weekend Course for Anthropologists and Social Researchers or find out about our other workshops.

If you wish to book you can find all the details you need on our how to book page.

If you would like more information on future courses and training opportunities sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.





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NEW WEEKEND COURSE Digital Video Production for Visual Anthropologists

Visit here for next dates and more details:

Digital Video Production for Visual Anthropologists and Researchers

About the course

Short, Sharp, Affordable. This is a practical hands-on weekend course aimed at visual anthropologists who want a fast way to acquire detailed and concise digital video filming skills.

There is an emphasis on bringing together the theory and practice of visual anthropological film making:

  • What is Visual Anthropology?
  • Positives and Negatives of using Film in Social Research (includes ethics)
  • Types of Visual Research Methods
  • Editing
  • Working in the Field

 

The short, condensed and effective course will give all participants a solid foundation of practical knowledge and a working understanding of digital cameras, sound recording, interview techniques, filming on location and industry language.

You will also get the confidence to use a wide range of equipment and learn the “future proof” principles of film making that remain constant despite the changes in technology and formats.

We allow a maximum of three people per camera set up (camera, sound, interviewer), giving everyone extensive hands-on experience.

What you will learn

– Preparing a shoot
– How to use a digital camera (focus, white balance, aperture, formats etc.)
– How to use microphones
– Framing, types of shots, camera movements, cutaways and other techniques and tips
– How to conduct and shoot an interview
– Shooting on location
– The principles of lighting, both natural and artificial
– Filming to edit
– Legal issues, permissions and copyrights

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About the tutors

Mark Saunders is an award-winning independent film-maker, media activist and writer. His expertise in the field spans over two decades.

He is currently running Spectacle Productions, a company which he founded in 1990. Clients include Amnesty International, Channel 4, the Rowntree Foundation, the Howard League for Penal Reform and many others.

His films have been broadcast internationally and exhibited at galleries, including Tate Britain, the National Film Theatre, the Institute of Contemporary Art, Musee des Beaux-Arts,  the National Media Museum and the Photographers Gallery.

Alongside production work, Mark has also been teaching for over 15 years, and he has been a visiting lecturer at a number of institutions, including London School of Economics, the Royal College of Art, the London College of Communications, Bournemouth, Florence and Coventry Universities. He is currently teaching at Birkbeck College.
Chloe Evans has written for several social science and Anthropology journals, predominantly on her work based on the Philippine Diaspora. She has also contributed photography and video materials to several University projects. Chloe Evans holds a Bachelor of Arts in Social Anthropology from the L.S.E and a MSc in Visual Anthropology from the University of Oxford.

Spectacle is a member of the Moving Image Training Alliance (MITA).

The details

Where

Spectacle
No. 25
99 – 109 Lavender Hill
London SW11 5QL

Price

£200.00 + VAT = £240
Concs.: £100.00 + VAT = £120

 

Special Discounts

Group bookings
– Bookings for three to five people: 10% discount
– Bookings for six people or more: 20% discount

Multiple bookings
You will receive a 15% discount if you book a place on our Final Cut Pro editing course (dates to be announced).

How to book

Please visit the How to Book page to reserve a place on this workshop.

Also, please ensure you read our Terms and Conditions before reserving a place on one of Spectacle’s training courses.

If you have any queries please contact training@spectacle.co.uk

 

If you would like more information on future training opportunities at Spectacle sign up for the Training Newsletter – tick the box if you would also like Spectacle’s general newsletter.




 

 

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