The Fog of Games: Free talk at the LSE

May 27 2009 Published by under Olympics 2012

In The Fog of Games, the first casualty is the truth. The Olympics are brief and transitory television events that disguise and justify mega projects of vast urban restructuring that permanently distort our cities for the benefit of a few business interests. Common features of such projects are unprecedented land grabs, the peddling of myths of ‘regeneration’ and ‘legacy’ benefits, the sweeping away of democratic structures and planning restraints, the transfer of public money into private hands, and ‘information management’ to hide truths and silence critics.

Mark Saunders from Spectacle will be showing clips of Spectacle’s ongoing Olympic Project The Fog of Games: Legacy, Land Grabs and Liberty.

Also Reporting the London Olympics Martin Slavin from Games Monitor website will discuss the gap between the media image of the Olympics and the historical impact they have had on communities.

This free event will take place at The London School of Economics on Thursday 28th May at 7pm. Everyone is welcome.

For more information on Spectacle’s Olympic project visit our Olympic project page

To see more clips from our Olympic project please visit the the Spectacle Archive Page



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From Shameless to Little Britain, does drama negatively stereotype the poor?

Mar 02 2009 Published by under Poverty and the Media

Below is an article describing a study of ‘Little Britain’ that was carried out by the London School of Economics. Do you agree or disagree with this report.

A study by a London School of Economics academic said many of the show’s characters – from teenage mum Vicky Pollard to proud gay Daffyd – are stereotypes based on people’s dislike of others of a different class, sexuality, race or gender.

Researcher Deborah Finding branded the show as “the comedy equivalent of junk food”.

“It is clear that when ‘we’, the audience, are invited to laugh at ‘them’, the characters – we are laughing not only at the figures on screen but at entire groups of people whom they come to represent,” she said.

Little Britain does far more to promote racism, sexism, homophobia, ageism and classism than it does to satirise them – though it does do that from time to time.

“To claim that it is ironic is to miss the point that comedy constructed about the other – that which is different from us – involves the mocking of minority groups in a way that winds the clock back to the pre-alternative days of (controversial British comedian) Bernard Manning.”

In her study, Ms Finding analysed the show’s characters and found that their physical traits were used to project fears about homosexuals, the working class and minority groups.

She said that in laughing at Vicky Pollard – a fat, chain-smoking, single mother – audiences were expressing their fears and hatred of the working class.

Viewers saw Vicky, with her “stereotypical body”, as having the features of all working-class single mums, “feckless, stupid and promiscuous”, Ms Finding said.

“Even Daffyd, the self-proclaimed only gay in the village, is a character who connects the idea of being homosexual with being ridiculous and therefore relies on mainstream fears about gayness, despite the fact that Daffyd is the creation of comedian Matt Lucas – who is himself gay,” she said.

For more clips from our Poverty and The Media project please visit our Archive

To find out more information about our Poverty and The Media project please visit our Project Page



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