Memories of Battersea – Screening Event

We are pleased to announce that after a few months of filming and collecting stories from Battersea residents, we are ready to screen our project to the public!

Memories of Battersea is a video oral history project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gave young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

The screening will take place on Monday, 15th October at
Senior Citizen Club
234 Carey Gardens
London SW8 4HW.

  • 4.30pm – 5.30pm – walking tour of the Carey Gardens Estate with Mark Saunders – filmmaker, Brian Barnes – mural artist and Nick Wood – architect
  • 5.30pm – 7.30pm – screening and discussion with contributors and filmmakers

You can find trailers to “Memories of Battersea” in our previous posts or on Spectacle’s Youtube channel: bit.ly/MBATTtrailers

More info about the event can be also found here

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Memories of Battersea: Nick

Memories of Battersea is an oral history video project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, Spectacle met Nick Wood, the eclectic architect who designed and built the Carey Gardens estate in the early 70s in SW8 Battersea in Wandsworth.

Nick Wood, the GLC architect of Carey Gardens estate

Throughout his successful career at the London County Council and the Greater London Council, Nick aimed to create “council estates that didn’t look like council estates”, designing buildings that could provide an enjoyable living environment for its residents. Nick applied Sir Leslie Martin’s theories on land use to design Carey Gardens estate and his model proved that it was possible to achieve high density with low-rise buildings. During this time period, this was seen as revolutionary seeing as high-rise blocks were seen as more fashionable but cost more to build.

The Carey Gardens estate model, designed by Nick Wood

This Memories of Battersea episode gives an insight into the history of social housing, focusing on the effort of building new homes for the Battersea community after the devastation of World War II. Nick also walks through his theory use and intentions on building Carey Gardens as he sits down with an aerial map of the estate. He also mentions the Carey Gardens Co-operative, the tenant management organisation that plans events and coastal trips for the residents, proving how good urban housing design creates vibrant and happy resident communities.

Watch the full film here.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ stories.

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Memories of Battersea: Christine

Memories of Battersea is a video oral history project run by Spectacle Productions and funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this episode we met theatre director Christine Eccles in the Battersea Art Centre. Christine tells her story about Mayday Theatre, a politically engaged theatre company based in Battersea during the seventies and early eighties.

Screen Shot 2017-12-13 at 16.10.45

Christine moved to Battersea from Liverpool in the early seventies and, inspired by radical theatre and the political atmosphere at the time, started her own socialist community theatre group. Working with the local residents and the Labour council they put on shows around South London that were based on local issues and stories such as the lives of factory workers, the gentrification of Battersea and the growth of the National Front in the area.

Theblackshop06

In this short film she recounts stories from some of their most memorable performances, shares her photos from the time, describes her experiences of working with the local community, and explains why her work was an important political force in the history of Battersea. She describes the neighbourhood’s radical history, what it was like when she moved there, and the changes that have taken place since then, including the sudden switch from a Labour to a Conservative council and the rapid change in housing landscape.

Christine is the second episode in the series. Watch Memories of Battersea: Jean, the first episode, here.  

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Fascism in East London in the 1930s- Bosco Interview

In this extract of an interview, John ‘Bosco’ Jones recounts what it was like to be living in East London in the 1930’s when there was an active fascist movement. Bosco was later a member of the anti-fascist International Brigade ( see  Bosco’s interview on International Brigade ). He went to great lengths to help the people of Spain fight against the nationalists during the Spanish civil war. However, when he was living in East London during the early 1930’s the fascist movement was growing stronger and stronger thanks to the British Union of Fascists (BUF), with Oswald Mosley in charge. Mosley was inspired by the likes of Hitler and Mussolini and when he first started campaigning he had the support of the Daily Mail and The Mirror newspapers. This support waned when riots started breaking out at fascist meetings, most famously the Rally of Olympia, which meant their party could not take part in the 1935 general election.

Anti-fascist groups were made up of many different types of people such as communists, Jews, socialists and the unemployed, these groups tended to congregate in areas of the East End of London, such as Shoreditch. Bosco himself took part in anti-fascist meetings and rallies, which were often interrupted by the BUF and fights between the two groups were common, particularly as the BUF were anti-semitic and anti-communist. After the end of the second world war in 1945 many people who were coming out of the army found they were still fighting fascism.

In the 1980’s, when Bosco’s interview took place, although the amount of active fascists had gone down he still expressed concern over Thatcher’s government banning protesting and opposing the trade unions. Bosco states this time as being “as dangerous to me now as it ever was in ’36.”

Watch the full length Bosco interview about fascism here

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‘Gateway’: Corporate Language of Control

Preferred Plan by Network RailThe area surrounding Peckham Rye Station, set for redevelopment by Network Rail and Southwark Council, has been dubbed the ‘Gateway‘. Their intention to cash in on Peckham’s recent prosperities endangers the independent, artisan businesses within the arches and the 1930’s building surrounding the station. In January, the plans were revealed detailing commercial and retail units, and seven-story’s worth of luxury accommodation. While community efforts to halt the construction are bubbling, with council meetings being called and the local distribution of flyers, it is still important to note the strategic use of limiting language by various bodies of power and not to adopt such terms ourselves, or face being pigeonholed.

gatewaydefinitionA simple Google search produces interesting definitions for the term ‘Gateway’ – “a place regarded as giving access to another place” and “a device used to connect two different networks”. In the context of the station, the overground links and rail services certainly do give immediate access to central Peckham and all of the available industries around Rye Lane. However, by defining the area as such, limits it to being perceived only as a port of access and undermines it as an attraction in itself.

The Gateway AreaPeckham Vision illustrates (above) the locations of various creative and cultural businesses on the station redevelopment plan. Similarly, our previous blogs have tried to highlight how the Peckham ‘Gateway Area’ is in fact a place full of creative enterprises, long-standing businesses and new, independent initiatives such as bars and breweries, galleries and studios. All of which are contributing to a gradual increase in footfall and popularity of Peckham, which is attracting people from all over town. Yet the plans have chosen to ignore Blenheim Court, Blenheim Road, Dovedale Court, Holly Grove and the Station Arcade as an area of increasing enterprise and local economic advantage. Instead, the whole area has been reduced to an entry and exit point for central London commuters who will take up the unaffordable housing, and the gentrified twenty-somethings flocking to Frank’s of a summer’s eve. All of the connotations point away from existing residents, business owners and the local community who actually use, live and breathe the space every day.

The use of the term, as can be seen in the statistics above, began to peak around the 1980’s – a stark correlation with the Thatcher era and large-scale, government-funded programmes for urban redevelopment. The Thames Gateway project, of the same name, is a perfect example.

thames_gateway_470x168This was a Thatcher regeneration investment to turn brownfield land into 160,000 new homes, rejuvenate towns and create 180,000 new jobs along the Thames estuary, from east London, through Kent and as far as Southend-on-Sea and the Isle of Sheppey in Essex. The sheer size of the development meant that the entire region was looked upon not as individual, bottom-up improvements spanning three counties and 16 local government districts, but as a singular overhaul of general degradation. It was former conservative deputy Prime Minister, Michael Heseltine who defined the area as a ‘Gateway’ during a helicopter tour of east London in 1979, and in doing so reduced the home of over 3 million people to “a place regarded as giving access to another place“.

Similarly, last year’s Tower Hamlets Whitechapel Vision Masterplan aimed at the regeneration of the area to transform it “into a key destination for London“, uses the the word again. From page 8 of the ‘vision’:

The creation of “entrance gateways” will help to improve first impressions, create a sense of arrival and define Whitechapel as a place and destination in its own right. This can be achieved through high quality buildings and public realm improvements at these gateway junctions.

Despite the complete disregard that Whitechapel is a already a place of interest for many Londoners, the onus on developing the area alongside new Crossrail networks for the enjoyment of newcomer’s “first impressions”, without recognition for the people that already live and work there, just stands to show where the loyalties of our councils lie. The grandiose over-expenditure on the part of Network Rail for amenities already available in Peckham, such as bars, galleries and artisan studios, reeks of this outmoded, 80’s planning.

The same generalisations can be said for things like the Gateway Drug Theory, which suggests that drugs such as alcohol and cannabis create a pathway into harder drugs, addiction and crime. Various sporadic experiments have supported and refuted the hypothesis, but all-in-all, the term used is limiting and sees populations as a generalised whole, detracting credit from the rational, decision-making individual.

this is not a gateway

Organisation, This Is Not A Gateway, was formed to create a platform for people who care about the future of our streets to discuss, debate and critique the ever-changing urban policy of cities and towns. They argue that all too often, decisions regarding vast redevelopment of urban areas are isolated to a small population of upper-middle class, white men that will likely never step foot on the soil they homogenise. In describing the choice of name for the organisation, they put it perfectly:

There is no beginning or end of a city, there is no place of entry and exit, there is no entrance that can be opened, there are no gateway texts, no gateway knowledges. In choosing to recognise ‘gateways’ we give others the ability to create boundaries, borders and limitations to our lives.

The historical use of ‘Gateway’ has always been about management. It reduces and simplifies places and people so that they can be effectively herded and categorised, which establishes control.

EileenClaridgeNetworkRailEileen Claridge, the sarcastic Network Rail representative instructed to attend the January 18th ‘public consultation’ meeting, who kindly stated that corporation was “not a charity”, is the terrifying example of this control tactic. In Network Rail’s 2012 winter newsletter, Eileen was interviewed about her new position as one of eight “asset development surveyors who look after enhancement projects for Network Rail Commercial Estate”:

What does your job entail?

We identify and develop potential new income for commercial estates.

 

What are the challenges?

We’re tasked with raising the company’s income
by finding brand new opportunities.

 

What would you be doing if it weren’t this job?

I’d quite like to be a mounted policeman!

I can only draw comparisons to the Peterloo Massacre of 1819 at Eileen’s closing statement.

 

Please feel free to leave your comments below.

Get in touch if you would like to contribute to our film about the Peckham Rye Station and Gateway Area Redevelopment Project. Just email: production@spectacle.co.uk

See Peckham for more blogs and information.
Or visit PlanA, our general blog on urbanism, planning and architecture.

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A small triumph for Peckham at the Community Council Meeting

Ruth Kennedy discusses the deputationThe Peckham and Nunhead Community Council Meeting at Harris Academy Peckham on Wednesday 12th February saw Peckham residents and local business owners gather to discuss, directly with Southwark councilors, the plans for Peckham Rye Station.

A crowd beginning to gather for the Community Council Meeting, Wed 11 Feb

The chair announced the deputation that had been devised by local Peckham people, including Eileen Conn of Peckham Vision.

Chair of Peckham & Nunhead Community Council Meeting

Ruth Kennedy, a Peckham resident for over 20 years, read the Deptuation Statement to the room. It outlined the lack of communication between Southwark Council, the GLA and Network Rail, and the subsequent lack of consultation with local people regarding the developing plans. It emphasised the threat the plans pose for the local economy, in particular the cultural quarter, and disputed the size and scale of the primarily residential block developments surrounding the station. The lack of basic priorities that the public had asked for, specifically public toilets and the open square, were also brought to Southwark’s attention.

Ruth Kennedy delivers the deputation to Southwark CouncilRuth concluded by asking two questions:

Please can we meet to co-construct a process of meaningful ongoing collaboration, that will see this development through to a fantastic transformation for Peckham?

Can we begin the next phase with the curation of a robust, creative workshop, involving all three partners and the community, so everyone is hearing the same messages, and is engaged in collaborative problem-solving together?

A long applause for the deputation!…which received tumultuous applause.

Cllr Fiona Colley agrees with the issues raised in the deputation

Councillor Fiona Colley (pictured) thanked those involved for devising the deputation and enthusiastically agreed to both points. She announced that a meeting between Southwark Council and Network Rail would be taking place next week in order to discuss the plans and that the speed of the development was controlled by a deadline for the Spring 2016 GLA fund of £5million, which in order to be completed, a planning application would need to be submitted by next week. Therefore, Colley has arranged to meet with the GLA to seek an extension of the deadline.

Local Peckham resident BarryShe agreed that the issue of public toilets needed to be addressed and apologised for the way the subject was handled at the January 18th Public Consultation meeting. With regards to the threat to industry as a result of the redevelopment, Colley was wholeheartedly behind protection of these businesses and incorporation of them into new plans so they are not priced out. As such, she announced that Southwark Council would not be using compulsory purchase orders for this project and that betting shops and payday lenders would be excluded from the area. She also said that the plans for Dovedale Court demonstrated a real “lack of vision” and clarity, and that Network Rail did indeed only give generic answers to question of potential rent prices at the last meeting.

Peckham residents and business owners deliver the deputation

However, the issue of the seven-storey, residential buildings proposed around the station were keenly glossed over. Colley agreed that she saw little reason for the 30’s building to be torn down and that the height and density of the residential blocks should be discussed further with Network Rail, but she did not oppose their existence.

Peckham & Nunhead Community Council Meeting

Among the victories that Peckham has won here, we are in danger of compromising on other aspects of the redevelopment that also pose a real threat to the carefully balanced ecosystem of Peckham Rye. It certainly suits Southwark Council to shift blame to Network Rail, yet we must remember that all parties were aware of the scale of the redevelopment plans.

Nick Dolezal agrees with deputation

Please feel free to leave your comments below in answer to these questions or any other statements throughout the blog.

Get in touch if you would like to contribute to our film about the Peckham Rye Station and Gateway Area Redevelopment Project. Just email production@spectacle.co.uk

See Peckham for more blogs and information.
Or visit PlanA, our general blog on urbanism, planning and architecture.

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