Battersea Power Station – The untold story of the East Wall.

According to news emanating from the developers of Battersea Power Station via the Evening Standard– Apple (the suits not the manufacturing) plan to occupy almost half of the beloved art deco building (500,000 square feet) in 2021, relocating 1,400 of its employees from Oxford Circus to Giles Gilbert Scott’s masterpiece.

Despite the expectation of a bright future, the shine has come off the PR coup as the building Apple is moving into, won’t be the Battersea Power Station, but rather a new built Battersea Fake Station. After decades of demolition by stealth, in order to provide daylight to the new office spaces, the East Wall has been demolished. The celebrated expanses of patterned brickwork will be replaced with new Art Deco-Style windows.

The historic brick work East Wall came down just a few weeks ago. It was only after the white plastic scaffold covering was removed that activists and residents realised that the East wall had gone.

East side of the Battersea Power Station without the wall - Work in Progress...

What’s left of the Battersea Power Station – The unexpected demolition of the East Wall.

Battersea Power Station and the unexpected demolition of the East wall.

View from the East side of the Power Station without the wall – Demolition in progress … (?!)

Silence in the news left everyone unaware of this latest act of heritage vandalism. Why this lack of information? And what’s the reason behind this decision to demolish? Conservation or profit?

In our film ‘Battersea Power Station: Selling an Icon’, Nigel Barker, Planning and Conservation Director for London at Historic England (formerly English Heritage), described the principle of putting glazing into the East Wall as “quite challenging”.

He added: “One of the key characteristics of the power station was large blank areas of patterned brickwork.”… “If you are going to use that building, if it is going to have a new future then you are going to have to get new light in there.”…”So the decision was taken. Providing (that) the glazing is done in a way that respects and responds to the original design, then we can see it happening.”

Battersea Power Station Development Company got planning permission to put windows in the wall. But what Spectacle and the residents did not know is that they had to knock down the whole wall to realise this plan. Did Historic England know? If so, how does it fit in with their principles of conservation?

Plastic model of the Power Station redevelopment plan.

Plastic model of the Power Station redevelopment plan.

Brian Barnes, founding member of the Battersea Power Station Community Group that has fought for the protection of the site since the 1980s, said that everything has been done “behind closed doors” without any consultation. He reminds us that behind the development planning application there are over 600 documents and many subsequent “variations” which makes it hard to grasp what exactly is going on.

The lack of clarity and the broken promises leave residents and fans of the Art Deco masterpiece with many unanswered questions about the future of Battersea Power Station-  the biggest brick building in Europe.

Rob Tincknell, CEO of the Battersea Power Station Development Company, told The Guardian: “to fill the power station with shops, offices, luxury apartments and £30m-plus penthouses, and surround it with yet more apartment blocks [… is] paying for this [restoration]. You don’t just regenerate this out of thin air.” But this is not restoration: it is desecration.

It started with John Broome in the 1980s who demolished the West Wall and took off the roof. This three decades long process of demolition by stealth of the heritage site has been allowed by Wandsworth Council.

As we can see, the West Wall has never been rebuilt.  Apparently the plan is to create a glass wall so that the luxury ‘ghost’ flats can have the daylight coming through. But the questions are – Who is going to profit and at what cost to us all and to the future generations? Why have the agencies responsible for the protection of our heritage connived in this greedy exploitation of our cultural assets?

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Battersea Power Station – what is the future?

Our film Battersea Power Station: Selling an Icon, has recently been screened at Goldsmiths University, in Leiden as part of the LISFE Architecture Week, and at the 3rd International Congress on Industrial Heritage in Lisbon. These screenings have generated further interest in the tragic plight of this building and the detrimental effects of developer led conservation on listed buildings. Combined with the recent unveiling of the new Tate Modern extension, it raises questions over how the unlisted Bankside Power Station is protected by public use and interest, while the listed Battersea Power Station, still standing with just one chimney, is for private profit only.

BPS

Battersea Power Station with one fake chimney.

Keith Garner, an architect who works on the conservation of historic buildings and landscapes, is a member of the Battersea Power Station Community Group, and is featured in the film. At the Lisbon conference, Garner and Kett Murphy delivered a presentation, ‘Power Stations for the People’, which highlighted the comparison between the redevelopment of Battersea Power Station against that of Bankside Power Station, which has since become the Tate Modern. While Bankside was regenerated for recreational purposes very successfully, Battersea Power Station continues to lie at the mercy of aggressive speculative development. The contrasting redevelopment of these two buildings is crucial in understanding the issues of building preservation in an age of redevelopment.

Both Bankside and Battersea Power Station were designed by Sir Giles Gilbert Scott, described as ‘cathedrals of power’, and considered of major architectural importance. And yet, when it came to development plans for both buildings, only Bankside’s value as a potential public asset was considered. When the Tate Modern acquired the building in 1994 to house a collection of modern art, it ultimately revitalised the area, while still maintaining the original character of the building. The transition from power station to art museum is today considered a huge success. Following the gallery’s £260m revamp, which was launched on June 17, the Chairman of the Tate stated that: ‘A building that was once London’s beating heart is now its cultural cathedral.’

However, as Garner and Murphy highlighted at the Lisbon conference, the development plans for Battersea Power Station don’t seem to be focused around the preservation of a listed Art Deco building, or the drive to create another cultural space like the Tate. Under the financing of Malaysian real estate investment consortium, led by Sime Darby, the power station will be swamped by high rise, luxury apartments, enclosed in a gated community and only accessible to the public during the day. As we have previously reported, the power station itself is in danger of becoming virtually unrecognisable, with growing concern over whether the iconic chimneys will ever be rebuilt. Unlike the regeneration of the Tate Modern, whose success is ultimately based on its inclusivity and openness, Battersea, as we have tried to highlight in our film, is becoming defined by its elitism and exclusivity. Despite Boris Johnson’s pledges that property developed at the power station would be sold to Londoners first, our investigations suggest otherwise, with findings exposing that 55% of the homes sold so far actually went to foreign money.

Battersea’s ‘regeneration’ threatens to be solely for the purpose of private economic gain. As Garner asserts, the developers have taken ‘no account of its (Battersea Power Station) dignity, reverence and serenity.’ The Battersea Power Station Community Group’s plans have ultimately been realised in the Tate Modern. However, the recent Switch House extension, a 200ft pyramid-like tower featuring three new galleries and a panoramic roof terrace, just reinforces how, if re-development and preservation had started with Battersea rather than Bankside, which is a third of the size, no such extensions would have been needed. Instead, funds are raised in order for the Tate to house 60% more artworks, whilst Battersea Power Station falls into further dereliction.

Through the re-circulating of our film, these issues of developer led conservation are once again being brought to attention. The way the Tate extension is being praised for transforming the building into ‘one of the world’s cutting edge art spaces’, only emphasises the stark contrast between the two power stations. Our film remains essential in raising an awareness that heritage led regeneration cannot, ultimately, be short-circuited, and that respect for the historic environment is paramount.

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Battersea Power Station: Selling an Icon

We are pleased to announce the launch of the film Battersea Power Station: Selling an Icon.

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

Battersea Power Station: Selling an Icon tells the story of Battersea Power Station from its prominence as a site of industrial power through the years of dereliction, speculation and planning blight to the replacement of the chimneys under the current scheme – a key example of developer-led preservation.

Filmed over 15 years, Spectacle’s new documentary follows the grassroots campaigns of Battersea Power Station Community Group to preserve the building for the public good. It takes us straight to the heart of the current conservation debate about whether – and how – historic buildings should be preserved, governed, modified or replaced, and ‘who’ they belong to.

Battersea Power Station: Selling an Icon is unique in raising awareness to the plight of historic building preservation in an age of aggressive ‘big business’ redevelopment and gives voice to the local communities, rarely consulted and often overlooked.

The project was made possible by World Monuments Fund through support from American Express.

The film is available for free private viewing for individuals. Institutions and libraries can buy or rent the film on Vimeo on Demand.

It is also possible to purchase a DVD on our web page.

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Love me! Help me! – can art save Battersea Power Station?

Brian's poster

As Chairman of Battersea Power Station Community Group Brian Barnes has fought for the power station for 32 years.

The Battersea Power Station has without a doubt a special place in many Londoners hearts. It has this word presence – not many buildings have been featured in popular culture as much as the iconic building based on a river side site next to Thames.

Now the power station is facing a massive re-generation scheme led by the Battersea Power Station Development Company, a Malaysian consortium in charge of the ambitious building project. The scheme has stormed critique especially among local residents.

One of them is Brian Barnes, a mural artist who have been the fighting for the Battersea Power Station over three decades. Brian is Chairman of Battersea Power Station Community Group which has been campaigning to save the power station and to inform people about what the local community thinks about the redevelopment plans.

The Battersea Power Station has inspired Brian’s artwork and the posters made by Brian have been part of the Battersea Power Station Community Group’s campaign. One of Brian’s posters represent what Pink Floyd did in 1976. A helium filled 45 long pig was anchored to the chimney for the cover of Pink Floyd’s Animal album. “Battersea Power Station and the pig go together like peaches and cream” Brian says.

Algie

The iconic rock image Pink Floyd’s inflatable pig Algie has inspired Brian Barnes’ posters. Algie famously flew over Battersea Power Station for Pink Floyd’s “Animals” album cover in 1976.

However the pig isn’t the only animal Brian has used in his artwork. Orangutangs have also been a common feature in Brian’s art inspired by the power station. This is because one of the companies that owns the power station, Sime Darby – one of the biggest palm oil producers in the world – is cutting down a rainforest in equatorial zones and destroying the natural habitats of orangutangs.

“If they can do that in Borneo and threaten the rainforest and the orangutangs, I don’t think they are going to be much bothered about a building of brick”, Brian adds.

“On Valentine’s day we put up a big ‘Love’ banner up on the chimneys with a heart on it. That got everyone interested in loving Battersea Power Station”, Brian says. The 45 foot long banners which the Community Group members strung up between the chimneys have also said ‘Love me’ and ‘Help me’.

Brian believes that art helps to galvanise people’s attention to the power station and what’s going on: “Whether the chimneys are coming down or whether there is too much luxury housing around it or whether the tube station is really going to be useful for the local people”.

Brian and mural

A mural ‘Battersea in perspective’ was made in 1988. The mural including Battersea Power Station ‘is all about the Battersea area and people who are famous of being Battersea residents’ Brian says.

“Battersea Power Station missed out being an art gallery because it didn’t have a roof” Brian says referring to the Bankside power station which now serves as the Tate Modern.

The chimneys of the Battersea Power Station have been a significant part of Brian’s art. “If all the chimneys are down and the present Battersea Power Station Development Company leaves then you would have a box of brick with no chimneys”, Brian worries. At the moment the chimneys are indeed going down in order to be rebuild.

Perhaps art cannot save the Battersea Power Station. However it has spread the message of what is happening and helped social change by being a part of a wider campaign. “I used it (Battersea Power Station) as an image to represent Battersea”, Brian says and what is sure is that his campaign to save the power station isn’t over yet.

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Battersea Arts Station – Free marketing

 

battersea arts final

Battersea Power Station Development Company’s  “Battersea Art Station”- by submitting artists give consent for unpaid use for the company’s marketing.

Battersea Power Station Development Company has organised an art competition Battersea Arts Station hosted at the Battersea Arts Centre, an open weekend on the 25th-27th September exhibiting art inspired by Battersea Power Station. Amateur and professional artists were invited to submit work of the iconic building and now have the chance of being awarded prizes.

On the first of September Battersea Power Station Development Company announced that over 500 artworks had been submitted from all around the world including photography, poetry, oil paintings and cast iron sculptures. What they didn’t mention was that the artists might have faced a surprise after submitting their artwork.

Before the artists submitted their art they had access to the Data Protection terms and conditions. However they were not able to see the terms and conditions of having their work displayed at the exhibition until after submitting. Yet submitting meant they agree to these unseen terms and conditions. These could only be read and agreed to once the form had been fully filled out and the artists’ work submitted.

Therefore the artists were unaware that the Battersea Arts Station, part of the Battersea Power Station Development Company, intend to use the artists’ work for marketing, promotional or broadcasting purposes, as well as reproduction without paying.

Here is a section of the terms and conditions which the artists only saw after they submitted their work (BPSDC is the Battersea Power Station Development Company):

10.2 By submitting Work(s), You consent to BPSDC and/or BAC and/or another third party permitted by the BPSDC or BAC: (1) filming and making available the whole or any part of the Work(s), including but not limited to the right to include the Work(s) in any broadcast (and rebroadcast) by any broadcaster (including the BBC) and any licensees of any broadcaster; (2) filming, broadcasting and/or reproducing the whole or any part of the Work(s) for archival, educational, publicity and marketing (including without limitation on the website, exhibition posters, leaflets, private view cards and all forms of social media), press, signage, gallery guide and catalogue purposes and (3) reproducing images of the whole or any part of the Work(s) from the Website that have been submitted by You. The above consent is irrevocable and given without payment of any fee or royalty and includes consent to make available the Work(s) in all media (including without limitation all forms of electronic and social media) for perpetuity and on a world-wide basis.

We await to see what kind of art is submitted but no doubt the winners will be be suitable for (free) marketing purposes.

Co-written by Elina Kuusio

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SPECTACLE ANNOUNCES NEW FILM ON BATTERSEA POWER STATION

PRESS RELEASE: SPECTACLE ANNOUNCES NEW FILM ON BATTERSEA POWER STATION

Where's the Chimney?

Where the Ducks the Chimney? Battersea Power Station 2015

Spectacle has announced that work has begun on its new film about Battersea Power Station, commissioned by the World Monuments Fund and American Express. The film is due for release in Autumn 2015.

The film will look at the historical and architectural significance of the power station, as well as the tireless efforts of the Battersea Power Station Community Group (BPSCG) which have led a grassroots campaign to preserve the building for the public good since the early 80s.

Working with the BPSCG, the film will raise awareness to the plight of building preservation in an age of redevelopment. The redevelopment of Battersea Power Station has aroused a passionate and highly-charged debate about whether – and how – iconic buildings should be governed, preserved, modified or replaced, and ‘who’ they belong to. As Colin Thom concludes in the Survey of London Chapter: “Perhaps more than any other structure today it represents the impotence of the heritage lobby when faced with big business at its most rapacious.”

The film will follow this debate in an even-handed, factual and interesting way, becoming a case study for similar issues in other cities around the world where a historic building finds itself on a high value site.

From gracing the covers of a Pink Floyd album to generating a fifth of London’s energy at its height, Battersea Power Station is a creation steeped in industrial history and rich in meaning. With stunning imagery throughout the ages – some from Spectacle’s archive and others newly shot – the film will reveal, in a unique manner, some of that history and meaning. It will raise awareness to the needs for preservation and the current challenges faced by conservation.

***
About Spectacle

Spectacle is an award-winning independent television production company specialising in documentary, community-based investigative journalism and participatory media.  Spectacle has been documenting the changing landscape around Battersea Power Station for the past 15+ years.

Spectacle’s film work has been exhibited at galleries worldwide, including Tate Britain, Tate Modern, Tate Liverpool. The Photographers Gallery, Institute of Contemporary Art, National Film Theatre in London. Glasgow Centre for Contemporary Art, National Architecture Institute Netherlands, Kunstverein Hamburg, Pianofabriek and “Bozar” Brussels.

It’s broadcast films include “Battle of Trafalgar”, (Winner of Prix du Public Nyon Film Documentaire), “The Truth Lies in Rostock” (Nyon Documentary Award Special Mention).  The Guantanamo films- “Outside The Law” &   “Shaker Aamer: a decade of injustice”.

 

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Battersea Power Station Chimneys demolition- History repeating

URGENT NEWS ON BATTERSEA POWER STATION CHIMNEY DEMOLITION

Thursday 12th June representatives of the BPSCG (Battersea Power Station Community Group) met with Paul Landsberg of Wandsworth Borough Council Planning Department to discuss their concerns regarding the legal and financial protections in place ahead of the imminent demolition of the chimneys, in particular whether the bond is in force and whether it is large enough to cover the cost of rebuilding the chimneys should the developer fail to replace them.  What they discovered was deeply disturbing:

The bond money is held in a Malaysian bank, CIMB
The value of the bond for the reconstruction of three and a half chimneys is only £11million.
The value of the bond is based on an estimate supplied by Philip Gullet of the Battersea Power Station Development Company.
This estimate has not been independently checked by cost consultants employed by Wandsworth Council or English Heritage.
The contract sum for the demolition and rebuilding of the chimneys was redacted from the copy of the contract sent to Wandsworth. So it is not possible to compare demolition costs against rebuilding.
The Council does not know if the bond is signed and in force, although the reconstruction contract starts next Monday.

HISTORY REPEATING…

This is all the more alarming in light of what happened when John Broome, the first failed developer of the site, took down but never replaced the west wall and roof, as it remains to this day. The council’s own report in 1989 criticised the woeful lack of safeguards and- some would say- gullibility of the planning officers.

According to Battersea Power Station Community Group the bond money should be held in a British bank if Wandsworth and English Heritage are to have any chance of getting at it in the event of a default.  The total value of the bond also needs to be increased substantially if it is to be able to cover the reconstruction of three and a half chimneys, if a default occurs.

With the chimneys reconstruction contract about to start, it is clear that Wandsworth Council and English Heritage are not protecting our cultural heritage -either in checking the proposed value of the bond or making sure the contract is signed and enforceable before the demolition and reconstruction project starts.

With interest rates about to rise, the possibility of the project failing yet again is increasing by the day.  If this happens when the chimneys are down, and it turns out the bond money isn’t there (as was the case in 1989 after Broome went bust)  the chimneys will never be rebuilt.

We need to rescue Battersea Power Station from these shameless, grey, dozing men who will sell our industrial heritage for peanuts and the enrichment of foreign “investors”. Keep an eye on the revolving door!

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URGENT-Save Battersea Water Pumping Station from demolition

We, the undersigned, ask Wandsworth Council to refuse listed building consent application 2014/1236 for the demolition of Battersea Water Pumping Station.

Battersea Water Pumping Station is the oldest surviving water pumping station in London.

It was built in 1840 for the Southwark Water Company and extended in 1856.  It housed a series of Cornish engines used for pumping water from the Thames.  At one time the pumping station housed the largest Cornish engine ever built, with a 112″ diameter cylinder.

The building was listed Grade II in 1994.

The pumping station commemorates the rich industrial heritage of the Nine Elms and North Battersea.  It has great potential to encouraging young people to think of science, technology and engineering as important skills worth acquiring.

Retaining and preserving the pumping station would attract visitors to the site and therefore increase footfall for the new facilities that will be open to the public.  It is in everybody’s interest that it is preserved.

We ask Wandsworth Council to initiate discussions with the owner/developer so that the development can be reconfigured to incorporate the pumping station

We further ask Wandsworth Council to convene negotiations between the owner/developer and the Battersea Power Station Company Ltd (a local registered charity) to allow the pumping station to be passed into the latter’s ownership for £1, to allow them to renovate the pumping station with Lottery funding.

Sean Creighton & Keith Garner

June 2014

Stop this cultural vandalism for profit.

PLEASE Sign the petition

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Battersea Power Station Pop-Up Park ‘pops off’

IMG_9991

Last May, the Battersea Power Station developers opened what they announced as a Pop-Up Park, that would receive visitors from all over the world every weekend and host several events. The so called public park, that was even added to Google Maps, ( how did that happen?) soon ‘popped off’ and in late September closed its doors.

The Power Station is one of the few obstacles preventing walkers from strolling along the south side of the Thames Path. For years this path has been blocked– a fading sign claimed it was a “construction site” even though really it was a very agreeable and exclusive river front office for construction company Berkeley Homes. The Berkeley Group (Berkeley, St James, St George, St Edward ) are responsible for ”delivering” many of the ugly and soulless developments despoiling the south bank.

IMG_9990In a new sign hanging on the now closed door, the developers claim the reason why they are shutting access to the park is related to the beginning of restoration works of the Power Station. In fact phase 1, which has barely started, is the building of monstrous flats in the slither of land along the rail track, forever obscuring the wonderful views from the west. “Restoration” (or desecration depending on your view of art deco architecture) of the power station is phase 2.

The sign also states that they have had “a great time hosting over 55,000 guests” in the pop up park. Are they are including in that number the more than 30,000 people that visited the building during the London Open House weekend? If so the pop up park was already closed then. Or do they count those attending the numerous events they have hosted, regardless of the alleged danger of the chimneys falling, on the south side of the site?

Finally it suggests you write to zkelly@bpsdc.co.uk if you would like to discuss putting on an event- It would seem danger from the chimneys only affects the non-paying public but not private, paying guests.

Perhaps “PR Park” would be a more appropriate name than “pop-up Park”.

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Battersea Power Station only a place for the rich?

Picture 3

Supposedly, Battersea Power Station is getting a new life. The vision is of a lively community where people can contact each other through their own social networks,  meet their neighbours in memberships clubs, small children  splash in a pool while their mums chat, shoppers cruise cafes and exclusive shops unique to the area- for some a nice vision.

A marketing person’s image of the perfect place to live, why would you ever want to move from one of the top five places in London? What can possibly be wrong with a community like this?

One problem can be that the first 800 flats are being sold off plan to rich people in Asia. Even if the plan is to build 3,500 new homes, when a forth of the houses are being sold to people who probably will not live there most of the time, will that really contribute to a lively neighbourhood?

An other question that needs to be raised is what is going to happen to the existing communities in Battersea? With luxury estates being built in the area, bringing expensive shops with them, the rents of the properties in the surrounding areas will probably be rise substantially. Especially if they succeed in building this community for rich people, the demand for apartments will rise and once again the rents will get higher.

With many people in the neighbouring estates, such as the Patmore estate, being low-income, a rent increase would be devastating. This would lead to most of the people being forced to move, but the question is to where? And is it really fair to force people who served and have been a part of a community to leave it just because of the effects from the luxury buildings across the road. Especially since almost a forth of the flats will not be sold to people in London who needs a place to live.

So one person’s idea of the perfect community is a nightmare for others.  Is it really worth the price? And do we really want to live in a world where some people are worth more than other just based on money?

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