Ecovisions in Malawi


In June 2021, Spectacle had the opportunity to work with Dr. Michelle Nicholson-Sanz and provide video training for the participants in her innovative Young Ecovisions project

Dr. Nicholson-Sanz is a Leverhulme Trust Early Career Fellow at the Royal Central School of Speech and Drama, University of London . 

During the pandemic she launched a call for young people around the world to share their ecovision – an idea for how to improve their environment and engender greater sustainability in their community. Four finalists were selected, two from India, one from Malawi, and one from England. 

Fanny Chidoola from Lilongwe, Malawi whose Ecovision was selected

Dr. Nicholson-Sanz reached out to Spectacle as the second half of this ambitious project began: developing the ecovision of the finalist from Malawi, Fanny Chidoola. In order to realise Fanny’s ecovision, she partnered with Malawian forestry science student Khumbo Matemba. Fanny and Khumbo would be mentored by Dr Nicholson-Sanz to stage a theatrical performance to encourage the stakeholders in their area to realise the changes needed. The performance would be filmed and this material, as well as further footage collected by participants, would become a final short film detailing the ecovision and it’s progress.

As Dr. Nicholson-Sanz lives in Kent, England, the actual filming would need to be done by the participants on the ground in Malawi, and with a limited budget the participants would be making the most of the camera they already had in their hands in the form of a smartphone. 

Participants were able to upgrade the capacity of their smartphone with tripods and additional memory cards. 


Spectacle has been developing a training programme for just such remote smartphone based video research projects. Anyone who has tried knows, it can be difficult to achieve good quality videos on a smartphone, and even more difficult to record footage which can be easily edited. Through a series of participatory workshops, Spectacle worked to upgrade the capabilities of the participants’ smartphones affordably, and offered clear guidance on best practices and filming techniques. 

Participants such as Fanny Chidoola learned to film interviews
Demonstrating how to achieve good exposure using a smartphone 


By the end of the workshop series, the participants felt ready to use their smartphones to record the performances, instruct others on how to get the best results from their smartphones, and already had recorded a good bit of quality footage of self interviews, location footage, and interviews with other stakeholders on the ground. 

Khumbo Matemba reviews framing and technique of a self-shot interview 


We are very excited to see the final short film from Dr. Nicholson-Sanz’s Young Ecovisions project when it premiers. 

If you are running or considering starting a participatory video project, consider the possibilities of Spectacle’s training workshops for your participants or yourself. We conduct our training remotely, in almost any timezone, and using any equipment available from smartphones to camcorders. We have worked with hundreds of academics, researchers, and community organisations and received very positive feedback on our approach and the results that our trainees can achieve with their cameras after just a few workshops. 

Participants such as learned to film location and action shots in their town

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Battersea Power Station

New to the Spectacle Archive

From gracing the covers of a Pink Floyd album to dominating the Skyline of London, Battersea Power Station is one of the capital’s greatest cultural icons. Yet since being decomissioned in 1983, the building has steadily deteriorated while waiting for development plans to come into fruition. Spectacle has been following the ongoing proposed plans for the iconic building.

Now available on Spectacle’s Archive page is footage from Control Room A and Control Room B within the Power Station.

Footage from the REO Exhibit including interviews with local residents (Alan and Terry)  is also available.

More on the Battersea Power Station Project.

For more interviews and extras visit the Spectacle Archive.

Editing the Glass Ceiling

Deja tus opiniones en español aquí.

Editing has started and we need to know your opinion.

If you want to see the progress, you can see the first, second, third and forth edit in the project web site.

Any suggestion, opinion, criticism will be welcomed.

Seeking actors. The Audition at Battersea Art Center.

Para leer este blog en español pincha aquí.


After  making the storyboard, all of us have a clear idea of what we are looking for. We have decided the shots, the camera angles, the atmosphere, the sound and the characters all we need to make the project real. Now we need to choose the real actors and we start thinking about the casting.

After publishing the advert on the internet, we receive lots of emails from people from different backgrounds and nationalities interested in coming to the casting. We went through all the applicants and decide the day the audition will be held.

Battersea Art Center.

Actors waiting in the entrance. We give them the script and the treatment and the audition starts. Different people in the same room moving all around, falling in different ways, showing different expressions in front of a camera, trying to be someone they are not..difficult task! Everybody seems to be having fun and enjoying the audition. That is good!

After the audition, there is only one more difficult thing to do…Choose the actors and be chosen from them…

If you want to get more information about the project “Speak out against discrimination”, click here.

For more information about Spectacle, click here.