Spectacle has a wide range of archive footage from the London Pride parade in 1991. This footage is available to license for your documentary or news story. Please contact us by emailing firstname.lastname@example.org
The footage was shot for Despite TV’s documentary, ‘Out of Line’, on the subject of London Pride 1991. Having already taken an interest in documenting the LGBT (Lesbian Gay Bisexual and Transgender) political struggle as it was happening (Despite Clause 28 – 1988). This longer documentary film takes a celebratory approach to the community’s political and social wins.
The footage gives an insight into London Pride from 25 years ago, and shows the celebratory atmosphere of the event as well as the increasing number of social and political groups that had started to participate in the parade.
The full film Out of Line is available to rent or buy here. A DVD of the film is also available here.
We are delighted to announce that Spectacle CIC has received funding from the National Lottery Community Fund to restart the Silwood Video Group with an archive-based film project.
Since 2001 Spectacle has worked with the Silwood Community in Lewisham and Southwark setting up the Silwood Video Group. Spectacle has run over the years hundreds of video workshops documenting daily life and changes created by regeneration. The collaboration has resulted in many short films published in DVDs, added to a few web episodes in the Channel 4 series Unteachables, an ICA exhibition, as well as further exhibitions at the Musee du Beaux Arts in Brussels.
The National Lottery grant allows members of the Silwood community to gather together around the video documentation that has been produced during the regeneration of the estate, aiming to revitalize the Silwood Video Group and equip the community to make use of video archive and video tools to reflect on their own history and future. Spectacle is running a series of online workshops, watching back and commenting together on what were the issues documented by the Silwood Video Group in the early 2000s. The project culminates in a workshop on the Silwood estate to collect oral histories and reflect on how to use the video archive to support the local community.
The Lottery funding has allowed us to re-start the Silwood Video Group, initially in an online setting through an archive-based film project.
Putting the Silwood Archive online has been an aim for many years. Spectacle has been uploading archive selections for the community to watch and discuss online. If you want to watch the available archive, sign up HERE.
Meeting every Thursday at 7, the SVG group watches selections from the archive and discusses the material, drawing out themes and topics of interest. If you would like to join this meeting, please sign up and we will send you the Zoom link. This is leading up to meeting in person with up to 12 participants to record oral histories in the community and add new perspectives on the archive.
Our Archive-based video project aims to bring together a variety of different groups and generations of the Silwood Community to review and add new oral histories to the Silwood Video Archive. We hope participants will build community bridges, connect to the past, engage in creative practice, and learn filmmaking skills.
We are very excited to be providing a space where isolated members of the Silwood Community can come together in a fun and educational environment to talk about history and film.
Archive-based Participatory Film Projects
Spectacle CIC is very excited about the tool of archive-based film projects. We see that they have the power to reduce loneliness by bringing people together, creating connection through shared creativity and learning, and anchoring residents within their own history.
These workshops foreground the wisdom of an older generation that is too often sidelined and isolated, while also sparking the joy in technology of younger generations. They offer an outlet for art and creativity in connection with others, as well as skills for future employment. It enable older community members to pass on knowledge to younger members or newcomers, and offer practical tech literacy and filming skills to participants.
Silwood Video Group and the Future
For 20 years, the Silwood Video group has built relationships across generations, ethnicities, and cultures through filmmaking. This extraordinary and unique group has been open to anyone in the community and in that time has benefitted approximately 200 people aged 6-70 constituting an unusually diverse range of people in terms of race and religious background.
Spectacle’s relationship with the Silwood community stretches back 20 years. Spectacle created the Silwood Video Group because the community wanted to have a voice in the proposed regeneration plans for their community. Placing the tools of filmmaking in the hands of the community empowered people to actively shape the future of their community through media activism.
The idea for this archive project is based on the community’s desire to reconnect with the places that existed before the regeneration. Many are getting older, and they want to share their stories with their grandchildren. They also see it as a good opportunity to build connections with newcomers to the community who don’t know about it’s history.
The Silwood Archive project is supported by The Audience Agency’s Digitally Democratising Archives project thanks to funding from DCMS and the National Lottery, as part of The National Lottery Heritage Fund’s, Digital Skills for Heritage initiative.
Except where noted and excluding company and organisation logos this work is shared under a Creative Commons Attribution 4.0 (CC BY 4.0) Licence Please attribute as: “Silwood Archive Project (2022) by Spectacle Media CIC supported by The National Lottery Heritage Fund, licensed under CC BY 40
Twenty five years ago Despite TV filmed the documentary, ‘Out of Line’, on the subject of London Pride 1991. Having already taken an interest in documenting the LGBT (Lesbian Gay Bisexual and Transgender) political struggle as it was happening (Despite Clause 28 – 1988). This longer documentary film takes a celebratory approach to the community’s political and social wins.
The events of 1988 seem almost forgotten as 25,000 LGBT activists and allies gathered in London to take part in Pride 1991. The event, a march through the streets of central London ending with a party in Kennington park, had grown in popularity since 1988, thanks to activist groups such as LGSM (Lesbians and Gays Support the Miners) and Stonewall who worked hard to achieve greater acceptance, giving more people the courage to come out, even if just for one day.
Opening with footage of the celebrations on the streets of London, the film gradually takes on a more political tone, interviewing individuals about their experiences of homophobia and discrimination. The filmmakers talk to the Lewisham Lesbian Mothers group, who march in the parade with children and babies in tow. One woman is interviewed about her struggles conceiving and raising a child as a lesbian mother – a subject rarely discussed in the early 1990s.
The film also incorporates several interviews with BME (Black and Minority Ethnic) LGBT individuals and groups, who discuss the particular challenges they face living at the intersections of numerous forms of oppression – often facing homophobia in Black communities, and racism in LGBT communities.
As well as being an insight into London Pride from 25 years ago, the film succinctly summarises the struggles still faced by LGBT people in 1991, and the social and political strides they had made in changing a society which dismissed them.
The full film is available to rent or buy here.
A DVD of the film is also available here.
In the late 1980s and 90s, Despite TV, a collective of filmmakers founded by Mark Saunders (Spectacle Media) specialising in social and political issues, took an active interest in documenting and raising awareness of state-sanctioned discrimination against LGBT (Lesbian Gay Bisexual and Transgender) persons in the UK.
In 1988 Despite TV produced a short campaign film, ‘Despite the Clause’, in response to the proposal of Section 28, a typically Thatcherite Local Government act proposed in 1986 and passed in 1988 which banned the “promotion of homosexuality”. The bill was proposed by the Conservative Party during the HIV/AIDS epidemic and purported to fear-mongering, homophobic tropes which portray LGBT people as deviant.
Section 28 was to have a damaging affect on LGBT individuals and, in particular, LGBT political and community groups, forcing them to limit their vital contributions to their communities, and in some cases shut down entirely for fear of legal backlash or censorship.
Despite the Clause features appearances from high profile activists including co-founder of Stonewall UK, Sir Ian Mckellen and Michael Cashman and M.P. Diane Abbott. In the film, Abbott, who was present at the proposal of the clause in the House of Commons, describes it as “A horrible, hysterical witch-hunting debate.” She also states that “The spirit behind Section 28 is a spirit of violence and intolerance to anybody that doesn’t conform, to anybody that’s different.”
Despite the best efforts of activists, Section 28 was ultimately passed and not repealed until 2003. Nonetheless, activists describe the resistance built against it as having a positive effect in establishing solidarity between LGBT people across the UK. Stonewall and other activists fought continuously for it’s repeal for over twenty five years. This campaign film subsequently remains a significant piece of LGBT history.
“Humanity has passed through a long history of one-sidedness and of a social condition that has always contained the potential of destruction, despite its creative achievements in technology”, Murray Bookchin (‘The Ecology of Freedom’, 1982)
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“And as long as hierarchy persists (…) the project of dominating nature will continue to exist and inevitably lead our planet to ecological extinction”, Murray Bookchin (‘Toward an Ecological Society’, 1974)
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“The old substance of exploitative society reappears in new forms, draped in a red flag, decorated by portraits of Mao (or Castro or Che) and adorned with the little ‘Red Book’ and other sacred litanies”, Murray Bookchin (‘Listen, Marxist’ in ‘Post-Scarcity Anarchism’ 1971)
Do you want to know more about him and his ideas? Support our documentary Bookchin on Bookchin on Indiegogo