Cultural differences on TV


The Unteachables, Channel 4 – A programme format is a license to produce and to broadcast a
national version of a copyrighted foreign television programme and to use its name

Programme formats are a major part of the international television market and they keep growing in popularity. With 11.6 million viewers previous Saturday X- Factor is a great example of the public’s desire for these type of programmes. The broadcasters love them too because of the large cost savings associated with avoiding the risk of inventing something original.

The most common type of formats are those in the genre of game shows, which quite often are remade in multiple markets with local contestants. Other key examples than X-Factor are Who Wants to Be a Millionaire, Survivor and Big Brother. However, there are also examples of documentaries as formats such as The Unteachables which Spectacle has been involved with.

On paper, formats don’t leave much room for creativity, nevertheless these programmes still seem to be executed differently in different countries. Does this mean that a TV format is a complex cultural product that cannot simply be reduced to a mere mechanical reproduction of a purchased TV programme? This might be a reasonable hypothesis when comparing The Unteachables with the Danish version of the programme titled Plan B.

A TV prog

ramme format is a license to produce and to broadcast a national version of a copyrighted foreign television program and to use its name.

Plan B, TV2 – the Danish version of The Unteachables

On the surface, the two versions of the programme seem quite similar. In both countries school children take part in a ground-breaking educational experiment investigating whether the school system is at fault, or the children are simply unteachable. In both cases the outcome of the experiment is positive: With the right teacher and learning methods by their side, even the worst behaved children can overcome their attendance problems.

However, when taking a closer look at the two versions, differences still occur – the two titles demonstrate this to great extent. Whereas the English version focuses on suspended school children the Danish one focuses on those children lacking confidence in school. Furthermore, in the English version the editing speed is faster and there is more focus on the children heavily using swear words.

How come these differences occur in the same programme format? Surely, a program will be executed differently by different producers, but is this a sign of the English media’s wish or need to be sensational and tabloid in order to attract greater audiences? It might also be worth taking into account the type of channels the programmes were broadcast on. The Danish channel TV2 prides itself on being an inclusive channel with the aim of unifying the public. On TV2 there are only winners – not losers.

Does this explain the differences or are the two school systems just too different to compare? Did Channel 4 portray a neutral picture of the English school system? Or do you think it is driven by sensational stories?

What about the Danish version? Is that a great example of how the school system operates in this country? Or is it too glorifying?

Have you experienced other versions of The Unteachables in other countries and how was the school system portrayed there?

You can find out more about Spectacle’s Class X project commissioned by Channel 4 to accompany the Unteachables series or order the DVD from distribution@spectacle.co.uk

Class X Discuss Black History

Class X

The clips from the Class X project that once featured on the Channel 4 website as The Unteachables is now accessible on Spectacle’s homepage.

The clips were made for Channel Four Online in connection with the TV series ‘The Unteachables’. The idea was to contribute to the debate on education from the point of view of school kids.

To commemorate Black History Month, we would like to promote the clip ‘Diversity in History’.

Despite the Sun – Video Art, England’s Avant Garde, interview


Despite TV’s film “Despite the Sun” has been featured in an interview with writer and academic Sean Cubitt. The interview is about the early days of video in the UK.

Sean Cubitt is currently Professor of Media and Communications, University of Melbourne and has written widely on the media arts.

“that’s I think one of the most gripping pieces of political documentary to be made in this country in the last 50 years, it’s a phenomenal piece of work.”
“they all went scooting round through people’s houses and so on to get stories that the national media weren’t getting, and it’s a fabulous piece of work”
“So it was very important aesthetically as well as in terms of its politics.”

you can watch Despite the Sun here: Despite the Sun

full article can be found here: Video Art article

Exodus – Levellers Concert – 1999

Levellers perform Exodus live – Exodus benefit Concert at Stopsley Recreation Centre, Luton, 1999. Watch video…

The Luton based Exodus Collective came into existence in 1992 as part of the growing DIY culture which arose in response to unemployment, poverty and frustration amongst young people. They offer working, viable solutions to many of society’s stated ills, poverty, crime, drugs, unemployment and the break down of community. Exodus blend a volatile mixture of rastafarianism, new-age punk and street smart politics. ‘We are not drop outs but force outs.’

Levellers - Exodus

Spectacle also produced the music video Cracklife, in collaboration with Marsh Farm Community members about the effects of Crack on their lives and community, Exodus Movement Of Jah People, a documentary that was shown on Channel 4, and in an extended version on ARTE (available in Italian and German and with French subtitles), as well as Exodus from Babylon (Channel 4), and documented the journey from Luton to Zurich as the Exodus movement take their raves to Switzerland (SF – Swiss TV).

Neighbourly Encounter Video

Neighbourly Encounter: Missing Sculpture

Visit Silwood Video Group to view archive of local historian Tony McTurk and Artist’s model David Grist visit to the Silwood Estate in 2002 to find the missing sculpture Neighbourly Encounter by artist Uli Nimptsch.

Silwood Video Group Film Lewington Centre Open Day

On April 3rd Spectacle and the Silwood Video Group filmed the first open day of the Lewington Community Centre. Pam Lewington, a former Silwood resident who the centre is named after, made a special visit back to estate to see how it had changed. Local residents filmed various events and displays including a Silwood timeline. Residents also had the chance to view some films made by the Silwood Video Group over the last few years.

To find out more about the Silwood Video Group please visit our Project Page



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Silwood Video Group Workshop 22nd April

At the last Silwood Video Group meeting  on April 22nd Silwood residents Doreen Dower and Mike Sparks filmed areas on the Silwood they would like to see developed into recreational spaces for young people. During the evening they canvassed opinion on the estate about what they would like to see changed and encouraged young people to get involved in the resident meetings. Young people were encouraged to come along and give their opinions on how a currently empty plot of land should be used to improve the estate.

To find out more about the Silwood Video Group visit our Project Page



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London Social Forum – Sripriya Sudhakar

Sripriya Sudhakar (an architect from India) talks about urban design taking place in London in comparison to India. Sripriya expresses her views on; utopia, sustainability, social exclusion, poverty in London compared to India and lastly planning for a better London.

To watch the interview click below:

London Social Forum – Sripriya Sudhakar Interview

London Social Forum – Katie Andrews

An interview with Katie Andrews on the consultation process of the London Olympics taking place in east London. Katie Andrews talks about the ways in which there was a lack of communication and information being delivered to the members of the public prior to the bid being being put in for the olympics to be held in London.

To watch interview click below:

London Social Forum – Katie Andrews Interview