Battersea Power Station – what is the future?

Our film Battersea Power Station: Selling an Icon, has recently been screened at Goldsmiths University, in Leiden as part of the LISFE Architecture Week, and at the 3rd International Congress on Industrial Heritage in Lisbon. These screenings have generated further interest in the tragic plight of this building and the detrimental effects of developer led conservation on listed buildings. Combined with the recent unveiling of the new Tate Modern extension, it raises questions over how the unlisted Bankside Power Station is protected by public use and interest, while the listed Battersea Power Station, still standing with just one chimney, is for private profit only.

BPS

Battersea Power Station with one fake chimney.

Keith Garner, an architect who works on the conservation of historic buildings and landscapes, is a member of the Battersea Power Station Community Group, and is featured in the film. At the Lisbon conference, Garner and Kett Murphy delivered a presentation, ‘Power Stations for the People’, which highlighted the comparison between the redevelopment of Battersea Power Station against that of Bankside Power Station, which has since become the Tate Modern. While Bankside was regenerated for recreational purposes very successfully, Battersea Power Station continues to lie at the mercy of aggressive speculative development. The contrasting redevelopment of these two buildings is crucial in understanding the issues of building preservation in an age of redevelopment.

Both Bankside and Battersea Power Station were designed by Sir Giles Gilbert Scott, described as ‘cathedrals of power’, and considered of major architectural importance. And yet, when it came to development plans for both buildings, only Bankside’s value as a potential public asset was considered. When the Tate Modern acquired the building in 1994 to house a collection of modern art, it ultimately revitalised the area, while still maintaining the original character of the building. The transition from power station to art museum is today considered a huge success. Following the gallery’s £260m revamp, which was launched on June 17, the Chairman of the Tate stated that: ‘A building that was once London’s beating heart is now its cultural cathedral.’

However, as Garner and Murphy highlighted at the Lisbon conference, the development plans for Battersea Power Station don’t seem to be focused around the preservation of a listed Art Deco building, or the drive to create another cultural space like the Tate. Under the financing of Malaysian real estate investment consortium, led by Sime Darby, the power station will be swamped by high rise, luxury apartments, enclosed in a gated community and only accessible to the public during the day. As we have previously reported, the power station itself is in danger of becoming virtually unrecognisable, with growing concern over whether the iconic chimneys will ever be rebuilt. Unlike the regeneration of the Tate Modern, whose success is ultimately based on its inclusivity and openness, Battersea, as we have tried to highlight in our film, is becoming defined by its elitism and exclusivity. Despite Boris Johnson’s pledges that property developed at the power station would be sold to Londoners first, our investigations suggest otherwise, with findings exposing that 55% of the homes sold so far actually went to foreign money.

Battersea’s ‘regeneration’ threatens to be solely for the purpose of private economic gain. As Garner asserts, the developers have taken ‘no account of its (Battersea Power Station) dignity, reverence and serenity.’ The Battersea Power Station Community Group’s plans have ultimately been realised in the Tate Modern. However, the recent Switch House extension, a 200ft pyramid-like tower featuring three new galleries and a panoramic roof terrace, just reinforces how, if re-development and preservation had started with Battersea rather than Bankside, which is a third of the size, no such extensions would have been needed. Instead, funds are raised in order for the Tate to house 60% more artworks, whilst Battersea Power Station falls into further dereliction.

Through the re-circulating of our film, these issues of developer led conservation are once again being brought to attention. The way the Tate extension is being praised for transforming the building into ‘one of the world’s cutting edge art spaces’, only emphasises the stark contrast between the two power stations. Our film remains essential in raising an awareness that heritage led regeneration cannot, ultimately, be short-circuited, and that respect for the historic environment is paramount.

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LGBT History on Film: Pride 1991

Twenty five years ago Despite TV filmed the documentary, ‘Out of Line’, on the subject of London Pride 1991. Having already taken an interest in documenting the LGBT (Lesbian Gay Bisexual and Transgender) political struggle as it was happening (Despite Clause 28 – 1988). This longer documentary film takes a celebratory approach to the community’s political and social wins.

The events of 1988 seem almost forgotten as 25,000 LGBT activists and allies gathered in London to take part in Pride 1991. The event, a march through the streets of central London ending with a party in Kennington park, had grown in popularity since 1988, thanks to activist groups such as LGSM (Lesbians and Gays Support the Miners) and Stonewall who worked hard to achieve greater acceptance, giving more people the courage to come out, even if just for one day.

Opening with footage of the celebrations on the streets of London, the film gradually takes on a more political tone, interviewing individuals about their experiences of homophobia and discrimination. The filmmakers talk to the Lewisham Lesbian Mothers group, who march in the parade with children and babies in tow. One woman is interviewed about her struggles conceiving and raising a child as a lesbian mother – a subject rarely discussed in the early 1990s.

The film also incorporates several interviews with BME (Black and Minority Ethnic) LGBT individuals and groups, who discuss the particular challenges they face living at the intersections of numerous forms of oppression – often facing homophobia in Black communities, and racism in LGBT communities.

As well as being an insight into London Pride from 25 years ago, the film succinctly summarises the struggles still faced by LGBT people in 1991, and the social and political strides they had made in changing a society which dismissed them.

The full film is available to rent or buy here.
A DVD of the film is also available here.

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LGBT History on Film: Despite Clause 28 – 1988

LGBT History on Film: Despite Clause 28 (1988) from Spectacle’s Archive.

Despite Clause 28 (1988) Trailer from Spectacle Media on Vimeo.

In the late 1980s and 90s, Despite TV, a collective of filmmakers founded by Mark Saunders (Spectacle Media) specialising in social and political issues, took an active interest in documenting and raising awareness of state-sanctioned discrimination against LGBT (Lesbian Gay Bisexual and Transgender) persons in the UK.

In 1988 Despite TV produced a short campaign film, ‘Despite the Clause’, in response to the proposal of Section 28, a typically Thatcherite Local Government act proposed in 1986 and passed in 1988 which banned the “promotion of homosexuality”. The bill was proposed by the Conservative Party during the HIV/AIDS epidemic and purported to fear-mongering, homophobic tropes which portray LGBT people as deviant.

Section 28 was to have a damaging affect on LGBT individuals and, in particular, LGBT political and community groups, forcing them to limit their vital contributions to their communities, and in some cases shut down entirely for fear of legal backlash or censorship.

Despite the Clause features appearances from high profile activists including co-founder of Stonewall UK, Sir Ian Mckellen and Michael Cashman and M.P. Diane Abbott. In the film, Abbott, who was present at the proposal of the clause in the House of Commons, describes it as “A horrible, hysterical witch-hunting debate.” She also states that “The spirit behind Section 28 is a spirit of violence and intolerance to anybody that doesn’t conform, to anybody that’s different.”

Despite the best efforts of activists, Section 28 was ultimately passed and not repealed until 2003. Nonetheless, activists describe the resistance built against it as having a positive effect in establishing solidarity between LGBT people across the UK. Stonewall and other activists fought continuously for it’s repeal for over twenty five years. This campaign film subsequently remains a significant piece of LGBT history.

The full film is available for free here.

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Battersea Power Station: Selling an Icon

We are pleased to announce the launch of the film Battersea Power Station: Selling an Icon.

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

Battersea Power Station: Selling an Icon tells the story of Battersea Power Station from its prominence as a site of industrial power through the years of dereliction, speculation and planning blight to the replacement of the chimneys under the current scheme – a key example of developer-led preservation.

Filmed over 15 years, Spectacle’s new documentary follows the grassroots campaigns of Battersea Power Station Community Group to preserve the building for the public good. It takes us straight to the heart of the current conservation debate about whether – and how – historic buildings should be preserved, governed, modified or replaced, and ‘who’ they belong to.

Battersea Power Station: Selling an Icon is unique in raising awareness to the plight of historic building preservation in an age of aggressive ‘big business’ redevelopment and gives voice to the local communities, rarely consulted and often overlooked.

The project was made possible by World Monuments Fund through support from American Express.

The film is available for free private viewing for individuals. Institutions and libraries can buy or rent the film on Vimeo on Demand.

It is also possible to purchase a DVD on our web page.

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SPECTACLE ANNOUNCES NEW FILM ON BATTERSEA POWER STATION

PRESS RELEASE: SPECTACLE ANNOUNCES NEW FILM ON BATTERSEA POWER STATION

Where's the Chimney?

Where the Ducks the Chimney? Battersea Power Station 2015

Spectacle has announced that work has begun on its new film about Battersea Power Station, commissioned by the World Monuments Fund and American Express. The film is due for release in Autumn 2015.

The film will look at the historical and architectural significance of the power station, as well as the tireless efforts of the Battersea Power Station Community Group (BPSCG) which have led a grassroots campaign to preserve the building for the public good since the early 80s.

Working with the BPSCG, the film will raise awareness to the plight of building preservation in an age of redevelopment. The redevelopment of Battersea Power Station has aroused a passionate and highly-charged debate about whether – and how – iconic buildings should be governed, preserved, modified or replaced, and ‘who’ they belong to. As Colin Thom concludes in the Survey of London Chapter: “Perhaps more than any other structure today it represents the impotence of the heritage lobby when faced with big business at its most rapacious.”

The film will follow this debate in an even-handed, factual and interesting way, becoming a case study for similar issues in other cities around the world where a historic building finds itself on a high value site.

From gracing the covers of a Pink Floyd album to generating a fifth of London’s energy at its height, Battersea Power Station is a creation steeped in industrial history and rich in meaning. With stunning imagery throughout the ages – some from Spectacle’s archive and others newly shot – the film will reveal, in a unique manner, some of that history and meaning. It will raise awareness to the needs for preservation and the current challenges faced by conservation.

***
About Spectacle

Spectacle is an award-winning independent television production company specialising in documentary, community-based investigative journalism and participatory media.  Spectacle has been documenting the changing landscape around Battersea Power Station for the past 15+ years.

Spectacle’s film work has been exhibited at galleries worldwide, including Tate Britain, Tate Modern, Tate Liverpool. The Photographers Gallery, Institute of Contemporary Art, National Film Theatre in London. Glasgow Centre for Contemporary Art, National Architecture Institute Netherlands, Kunstverein Hamburg, Pianofabriek and “Bozar” Brussels.

It’s broadcast films include “Battle of Trafalgar”, (Winner of Prix du Public Nyon Film Documentaire), “The Truth Lies in Rostock” (Nyon Documentary Award Special Mention).  The Guantanamo films- “Outside The Law” &   “Shaker Aamer: a decade of injustice”.

 

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Cllr. Matthew Bennett’s Rectory Gardens slurs and errors

Cllr. Matthew Bennett, Labour Cabinet Member for Housing in Lambeth during an interview with Spectacle.

Cllr. Matthew Bennett, Labour Cabinet Member for Housing in Lambeth.

“We’d all like to live for free in million pound homes in Clapham”, Cllr. Matthew Bennett, Labour Cabinet Member for Housing in Lambeth, told Spectacle in a recent interview for our documentary about the eviction of residents from Rectory Gardens housing co-op. Yet, Spectacle’s film reveals that this statement, and numerous others Bennett made, is based on gross inaccuracies, calling into question the evidential basis for Lambeth’s decision to sell off the houses, a decision that Lambeth Labour MP Kate Hoey has told us “will go down in history as one of the worst the borough has made”.

Million pound homes?

In the mid-1970s, Lambeth Council Compulsory Purchase Ordered the L-shaped street of 28 Victorian terraced houses in the heart of Clapham Old Town for as little as £2000 – £4000 each under ‘slum clearance’. Along with numerous other ‘shortlife’ homes CPOd in the borough, the properties were effectively abandoned due to lack of funds to do them up. The only work ever to be carried out by the council since was to deliberately damage many of the interiors in order to prevent occupation. But a few years on, as was common at the time, squatters found a way to move into what had become derelict houses. Realising that this was a way to help them maintain the properties, the council then decided to welcome them as ‘short-life tenants’. Similar events took place across the city. “The Council were even handing out keys. They didn’t seem to care at all that we were there; in fact they seemed happy about it”, said one resident. Forty years later, and Lambeth are one of the last London boroughs to deal with their shortlife portfolio, having dithered about for decades, during which time a whole community and way of life has flourished. But in 2011, in the context an over-inflated London property market and government cuts, the Council decided to sell off what have become people’s long-standing homes at auction to raise cash. Evictions are currently in process.

Yet, if Lambeth are hoping to make one million pounds each on these houses, they must be dreaming. So far they have made £56 million on the sale of around 120 ‘shortlife’ houses. That’s around £466,000 for each one. There are now only around 50 shortlife properties remaining in the borough, and the Council aims to sell off the last remaining homes by the end of 2015. Rectory Gardens represents most of this tail-end stock. But rather than one million, the average sale price for a co-op property at auction is half that. Both houses already sold on Rectory Gardens went for under £500,000. It is unclear how much Lambeth anticipate making on the sale of the remaining houses; Spectacle have requested a figure.

How is this money to be spent? In our interview, Bennett said decisively that the money would be used to “build 1000 new council homes”, yet, a few moments later, he made more general statements about money going into a “pot” to pay for “road refurbishments, new primary school places” and seemingly other unspecified public services. His predecessor, Pete Robbins, said that the money raised from sales of co-op homes would plug a gap in the funding the council received for housing repairs. The money raised seems to be covering a lot of bases that it cannot possibly stretch to. Freedom of Information requests submitted by Lambeth United Housing Co-op (LUHC), (a campaigning group set up to protest similar borough-wide evictions), to find out exactly how the money will be spent have been unanswered. Spectacle has requested information regarding exactly where the new houses will be built, by when, and how much the total build is expected to cost.

Not only are these funds not being ring-fenced for housing, but the current £56 million windfall does not take into account the £1.8m spent so far on staffing and legal costs of eviction, nor the unknown additional sums spent on surveyors, auctioneers, vacant property managers, for which information Lambeth Council recently blocked another freedom of information request by LUHC. Neither does it factor in the added costs of re-housing people, which LUHC have estimated to be between £6 – £13m, nor the unknown long-term social welfare bill of caring for now isolated elderly and disabled residents, who had found support and care within the co-op community on the street, something the council seems keen to support in theory through its health and wellbeing policies and ‘Connected Communities’ project, but clearly not in practice when the community is already in situ.

Living for free?

Furthermore, the Council seems to refuse to acknowledge that it is thanks to the hard work, resources and energy of residents alone that houses that they once abandoned are now lucrative cash cows. Rather than living “for free”, in 1982, the majority of residents who came to settle in the houses formed a self-supporting co-op. Members paid into a pot, from which money was used to purchase materials or support substantial renovation works. These were carried out through a process of skill and labour sharing. Indeed, Labour Councillors Nigel Haselden, Christopher Wellbelove and Helen O’Malley in 2007 campaigning leaflets said: “Some of these homes would not be standing if it was not for the work of the people living in them.” Two of these Councillors, Wellbelove and Haselden, once elected did a complete U-turn on their promise to ‘fight for the rights of residents to stay in their homes’, now supporting the current eviction policy (O’Malley was deselected). Cllr. Bennett claimed no knowledge of this.

Correcting Bennett further on the matter of paying rent, he asked Spectacle to whom and how much were people paying. He then said “I heard it was no more than £1 a week. That’s almost nothing”, adding, as a different tack, “they’ve paid nothing to the Council”. First, the council never actually allowed any rent to be paid (more of which later), second, the actual membership fee was set at £5 a week (though rates varied across all co-ops), to reflect the low-income of those in the homes, all of whom were already on the council housing waiting list. This small fee was also designed to encourage residents to work on their own properties, which, contrary to Bennett’s claim that “people have not shown any willingness to spend the money necessary to bring [the houses] up to a decent condition”, they did, adding their own energy and labour. This included re-roofing, plastering, re-wiring, building new chimneys, installing windows and doors where there were none, putting new boilers into every house, building staircases, installing gas, and much more. Yet Bennett claims that “at least five properties are completely derelict” and that others have “fallen into disrepair” and “not been maintained”. He is clearly unaware, as he himself admitted during the interview, of the condition of the properties when they were initially purchased in the 1970s. Spectacle has sent him the below photographs to demonstrate the actual situation.

RGDNs

“Million pound” homes? The derelict condition of CPOd houses on Rectory Gardens in the 1970s before the co-op took over renovations.

In addition, Spectacle pointed out that since the residents have been paying council tax for years, according to the Valuation Office for England and Wales this legally qualifies them as ‘dwellings’ suitable for habitation, hence they could not possibly be “derelict”. A spate of recent articles concerning one property on the street said to have a tree growing through an illegal extension with dangerous electric wiring, rented out to sub-letters, is not a house that is part of the co-operative, yet it is being used to tarnish the community. Filming in a number of co-op homes, Spectacle found them to be comfortable, homely and safe. Having referred to a couple of other incidents with some houses in the street during his interview, Spectacle made the point to Bennett that crime is a social problem, not the fault of one set of people, neither should the actions of one mar the whole community, be that Rectory Gardens or ‘shortlife’ co-ops in Lambeth generally. He was unable to comment further.

Moreover, the idea that we should measure people’s contribution to society based on ‘how much they pay’ in monetary terms – (to the Council, in this case) – implied by Bennett’s statement, demonstrates an indefensible attitude of income-based prejudice. Looked at in entirely different way, the residents of Rectory Gardens have collectively done as much, if not more, to contribute to their community as many other rent-paying citizens do to theirs, and have a stable community that is not reflected by some of the highly transient ‘neighbourhoods’ that surround the street where occupants regularly move on and private rentals stay empty for long periods. The self-proclaimed ‘cooperative council’ should be falling over itself to recognise and reward those who voluntarily invest into making their ‘patch’ a positive place. Residents of Rectory Gardens have been behind numerous artistic and community-based initiatives in the area over the years, such as Cafe on the Common, the Tea Rooms, Studio Voltaire, and even the skate park on Clapham Common, activities which no doubt contributed hugely to making the area a now-desirable postcode, propping up the very market prices that Lambeth seek to capitalise on today.

There Is No Alternative?

Adding further insult to injury, despite the accusation of ‘living for free’, paying rent to the council was never given as an option. At no point since the establishment of the housing co-op have Lambeth Council sought any financial arrangements with residents. Bennett’s version of history is that “Other co-operatives took the opportunity to charge social rents and take a regularised position… Rectory Gardens did not go down the route [of] becoming a proper cooperative… We’ve spoken with the housing co-op on many, many occasions about ways in which they might want to finance taking their over as a co-op on their own, they haven’t been able to work with the money.” In fact, Rectory Gardens was not allowed to go down this route of ‘rationalisation’ and the council has never seemed to want to make them tenants – something that Tulse Hill Labour Councillor Mary Atkins said should have happened years ago. The Council has had opportunities of resolving the situation numerous times over the years, but has stopped deals going through, deciding not to come to a resolution and consistently using the threat of legal action as a first port of call. For example, the community embarked on years of without-prejudice negotiations with housing association Metropolitan Housing Trust and the Council, involving a lot of time, effort and money for the deal to evaporate because the council revalued the site.

On three occasions between 2012 and 2013, Lambeth United Housing Co-operative proposed to the council that residents begin to pay rent and become social housing tenants as a solution. They also came up with the idea of the ‘Super Co-op’, a proposal backed by housing experts that would see ex-council stock being recycled and refurbished by a borough-wide umbrella co-op while simultaneously skilling up local people. These solutions were rejected without being fully discussed. The Council even refused payment of their own legal charge, developed in-house; a so-called ‘use and occupation’ back fee seemingly designed to coerce people from the properties. A judge suggested a defendant pay in installments but Lambeth promptly declined this, presumably worrying that accepting payment could mean a case for tenancy rights in court.

As part of the eviction process, residents have been offered priority re-housing via the council’s Choice-Based Lettings system. Yet some of those that have accepted and found re-housing have reported damp, mould and asbestos, among other problems, not to mention the psychological difficulty of being forcibly displaced away from their community. Residents wish to remain in their homes, where they have raised families and built a robust community, and would be happy to pay council rents rather than needlessly displacing others on an already overburdened council housing waiting list. Yet Bennett argues that selling off this rare social housing stock will help the “21,000 people on our housing waiting list, the 1800 families in temporary accommodation and the 1300 living in severely overcrowded homes” because it is “not affordable” to spend money refurbishing them, money that could go towards new homes, or road refurbs, or primary school places… New council homes are of course welcomed, but should this be at the expense of existing council stock?

To top this off, at no point have residents asked the Council to spend money on the homes; rather they have proposed that they would take this on themselves via the Super Co-op. Bennett adds “It costs five times as much (£60 – £70,000) to refurbish a house on Rectory Gardens as it does to refurbish an existing council home.” Uncertain where these figures have come from, Spectacle have asked for the data used to make this claim. We have also written to Bennett to suggest that there are other options. The Super Co-op was one, but housing expert, and Director of Self-Help Housing, Jon Fitzmaurice has also told us he “continually comes up against large organisations who say it is uneconomic to do up houses but it is erroneous to take that view, as communities and small charities can make things happen for much less.” In Liverpool, a recent case he came across, saw a commercial builder estimate that a property would cost £30,000 to refurbish. It was finally done by a community group for £6,000, with the labour provided by co-op members and the only costs those of materials, a surveyor and building supervisor. Surely, as a ‘co-operative council’, Lambeth is aware that the co-operative way is often one of the most affordable and socially productive around. A bit more imagination, a bit less short-termism, might work wonders.

Pursuing the eviction policy, one of the worst outcomes would be, as housing expert Jon Fitzmaurice told us, that properties are ‘flipped’ and the council end up renting the properties back off a private landlord for social housing, which would be expensive, wasteful and self-destructive, as the eviction policy is already proving to be. Over in Southwark, campaigners have found that similar council promises to build ‘new’ ‘council’ homes, on closer inspection, have resulted in the selling off of public assets to purchase private land and build houses that are only partially available for social rents, the remainder being offered for private sale or shared ownership. Without a firm and open statement from the Council on exactly where the money is going, it is difficult to hold such promises to account.

Meanwhile, residents of Rectory Gardens are on the move, or in court, with some spending maybe one last Christmas in their self-created homes.

To read more of our blogs about Rectory Gardens, click here.

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World monuments fund watch day 2014: Nine Elms architectural walk.

Spectacle took part in the Nine Elms architectural walk – part of the World Monuments Fund Watch day 2014. Here is a short edit of the event.

The watch day was launched by World Monuments Fund in 2012 to provide an opportunity for people to engage with their local communities and deepen their knowledge of local historic sites. The walk itinerary included Vauxhall and Nine Elms areas looking at sites such as the listed Brunswick House, Convent Garden Flower Market, Tideway Village riverboat community, Battersea Power Station, Battersea Dogs Home, the gas holder site and Battersea Park railway station.   The walk was lead by Colin Thom of the Survey of London and had contributions from David Waterhouse (Tideway Village riverboat community), Stuart Tappin (Structural engineer), Brian Barnes (artist and founder member of Battersea Power Station Community group)  and Keith Garner (architect).

Group photo in front of the Battersea Power Station during the World Monuments Fund Watch Day 2014

Group photo in front of the Battersea Power Station during the World Monuments Fund Watch Day 2014

 

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Vivienne Westwood speaks out about destruction of Rectory Gardens housing co-op

Vivienne Westwood

Vivienne Westwood speaks to Spectacle from her south London studio

Vivienne Westwood is known for her outspoken attitude, both in her fashion and activism. Sticking to trend, today she spoke out about the destruction of long-standing housing co-ops in her home borough of Lambeth, lending her support to the documentary Spectacle are making about the fate of Rectory Gardens and its residents who currently face eviction by the council.
 
This sort of short-termist policy is “incredibly stupid, shocking and horrible. It’s terrible to put people through that distress” and will simply add to the “growing list of people waiting for housing”, said Vivienne. In 2011, Lambeth recalled the properties it previously handed over to the self-forming housing co-op back in the 1970s as a response to cuts, spurred on by the now-booming London market. Vivienne spoke with warmth and enthusiasm about Rectory Gardens: “There is no traffic, so children can actually play together and knock on each others’ doors. People are all working together, it’s absolutely great.” The enforced break-up of such a community is “disgusting”, she added.
 
Vivienne moved to Clapham in the 1960s, when she recalls that London was a “dilapidated” yet “creative” and “living” city. Echoing the words of artist Maggi Hambling, who Spectacle interviewed two weeks ago, “There was always something to discover. It was full of craftspeople and artists”. Now, she says, London has been “cleaned up” and priced out through short-sighted government policy that is “killing the actual reason why people want to live here in the first place.”
 
With a deep love of London’s theatres and cultural centres, such as the National Gallery, Barbican, and particularly the Battersea Arts Centre, Vivienne argued that these sorts of enterprises tend to emerge from the ground up, through artistic communities that are allowed to grow organically, like Rectory Gardens itself. “These sorts of communities are so important to what makes London such a buzzing, active, cultural place”. But in a world dominated by concern for “profit” alone, in which “people are just treated as commodities”, she fears that all such creativity is “being obliterated and swamped”.
 

Vivienne highlighted the fact that the government is currently planning to build over 200 high-rise luxury flats in the City; an action she deemed “an absolute scandal”, since, at the same time, “the housing list is growing while council houses are being pulled down and housing co-ops are being evicted. Where are people going to live?” Arriving in London almost 50 years ago as a school teacher, Vivienne said that even at that time it was very difficult to find a flat. With her then boyfriend, Malcolm McLaren, they found a place that had been squatted by “hippies” and painted entirely red on the inside – “it looked like the inside of a phonebox! It was great!”. This was the only way they were able to secure a home. “I don’t know how people manage today. It’s dreadful.”

Referring to the soaring prices of London property, Vivienne spoke of the case of Maritza Tschepp who is being threatened by eviction from her ‘short-life’ house in Stockwell to the potential tune of around £700,000 for the Council at auction. Not a penny of that would go the former resident, despite the fact that it is her invested energy and money alone that has maintained and increased the property’s market value over the 33 years she has lived in it. At those prices, suggested Vivienne, who earlier this year attended a demonstration outside another boarded-up co-op house on Lillieshall Rd to protest its sale, it’s likely only to be speculators or those after second homes that can afford to move in.
 
“The government is doing only what’s good for business and profit – they’re not thinking about people. This is bad economics and is storing up trouble for the future”, argued Vivienne fervently. A long-standing Lambeth resident, she understood that the council was facing enormous pressure from its budget being slashed in half by government austerity measures. But argued that they should be resisting and raising the alarm about the scale of cuts, rather than backing the Government in “trying to work a system that is a short-term disaster for people and a longer-term, unimaginable disaster for the planet”. She urged that people should “stick together” to protest against the “false economy” of austerity.
 
Reflecting her broad activist perspective, Vivienne was keen to stress that the story of Rectory Gardens should be seen as part of a bigger systemic problem of greedy capitalist profiteering resulting in the destruction of communities and the environment, “happening everywhere”. “We need a green economy based on collaboration, respect for people, fair distribution of money, community. A green economy is a people’s economy – it is urgent and necessary. If you protest against the acquisition of these co-op houses, you are protesting against everything that is ruining the planet.” In her own true-to-form, outspoken words, that is: “a world in which politicians’ only care is to syphon off all profit for the super rich”. 

Local artist Maggi Hambling condemns Lambeth Council’s ‘Jack the Ripper policy’ towards urban development

Maggi Hambling deplores Lambeth’s destruction of housing co-ops in an interview from her Clapham studio

Painter, sculptor and Clapham resident, Maggi Hambling, told Spectacle that ‘Lambeth Council, rather like Jack the Ripper, seems to be ripping its way through the whole feel and importance of this area’ through its short-termist policy of selling off cooperative housing, such as that of Rectory Gardens, just round the corner from Maggi’s sunlit studio.

‘What I think is most extraordinary is that Lambeth calls itself the ‘Cooperative Council‘ when it has destroyed and is still destroying every cooperative around me. It’s terrible, to put it mildly’, she says. In an interview for Spectacle’s documentary about the breaking up of Rectory Gardens Housing Co-op, Maggi describes Lambeth’s ‘money-grabbing, short-sighted, and morally criminal’ behaviour towards Co-ops in the borough. In nearby Lillieshall Road, only two of 15 houses remain, while residents of Rectory Gardens are currently in the process of being evicted.

‘The creative community, as I have known it over all these years, has changed from an enormous mix of different people living together and caring about each other into this gentrified place where money, money, money, rather than any kind of feel for the community, rules. Every bit of creative spirit is being exterminated with a very heavy hand. Nothing but destruction is coming from above.’

Maggi moved to the area in the 1960s and remembers the wide variety of people who once made this their home, including artists and craftspeople. The systematic eradication of co-ops, she fears, is the product of a policy of greed that will ultimately destroy what makes this place special to live in.

‘Clapham and places around here will just become dormitories for people in the city who can afford the extortionate amounts of money they’re paying for their little bit of castle. This area is trying to turn itself into Mayfair. Something that the totally un-cooperative Council is probably very happy about to the detriment of healthy communities and anything that breathes any life.’

‘Rectory Gardens is the last bastion of the cooperatives and is hanging on by its teeth. Whatever anyone can do to save it must be done now. I would ask the Council to look at their own greed and lack of foresight and vision. Otherwise, this sort of Jack the Ripper policy is going to amount to a London that is extremely boring, to say the least.’

Despite anger, Maggi optimistically concludes that ‘it is possible to win these battles. The so-called Cooperative Council should be emphatically made to see how blind they are being and how cruel.’

But, she wonders, as many might, ‘why does everything have to be a battle?’

What you can do:

Sign the petition at Change.org: http://www.change.org/p/lambeth-the-cooperative-sic-council-stop-the-co-op-housing-evictions

Visit Lambeth United Housing Co-operative’s website: http://www.lambethunitedhousingco-op.org.uk/

Write to the Council to support the ‘Super Co-op’ solution: http://www.lambethunitedhousingco-op.org.uk/?page_id=157

Tweet, Facebook, and disseminate this and related blogs and news articles to your contacts.

World Monuments Fund “Watch Day” Walk Battersea Power Station

Picture 2-4

NINE ELMS: ARCHITECTURAL WALK
COVENT GARDEN FLOWER MARKET – RIVERLIGHT SHOW FLAT – TIDEWAY VILLAGE HOUSEBOATS – BATTERSEA POWER STATION

Lead by Colin Thom of the Survey of London. With contributions from David Waterhouse, Stuart Tappin, Brian Barnes MBE and Keith Garner.
Saturday 27th September 2014. Meet 10.20 am Vauxhall bus garage (by No.87 bus stop) for 10.30 am departure.

To book or for further information contact Sarah Meaker at World Monuments Fund Britain: sarah@wmf.org.uk 020 7251 8142.
Suggested donation of £10 per attendee

Bring packed lunch and sensible shoes. Please advise World Monuments Fund Britain on 020 7251 8142 if you have particular access or mobility requirements.

Itinerary

10.20 Meet Vauxhall bus station. (No.87 bus stop.)

10.30 Depart and introductory talk by Colin Thom about the Vauxhall and Nine Elms area including the listed Brunswick House.

10.40 Covent Garden Flower Market (GMW 1974). Space frame structure using British Steel “Nodus” system.  The building was recently given certificate of immunity from listing by English Heritage. Shortly to be demolished, so the last chance to visit.

11.10 River walk to see the “Thames Hippo” and changing skyline of London.

11.50 Riverlight housing development (Rogers Stirk Harbour + Partners) to see show flat with views of river Thames and London skyline.

12.45 Tideway Village riverboat community to meet David Waterhouse owner of The Newark.
Tea & coffee will be served on the Newark and we will eat our packed lunches.

14.00 Battersea Power Station. (Gate 2 in Kirtling Street.)  Colin Thom will talk about the history of the building.  Stuart Tappin will discuss the demolition of the chimneys which has recently begun.
NB: we will not be entering Battersea Power Station but the building is visible from the road.

14.45 Battersea Dogs Home to see cattery designed by Clough Williams-Ellis. We can see the cattery from Battersea Park Road.

15.00 Gas holder site to see the collection of gas holders. These were also recently given certificate of immunity from listing and are being demolished. The “MAN” gas holder is a German design and is contemporary with Battersea Power Station. The MAN gas holder at Oberhausen in the Ruhr has been reused as an arts space.

15.30 Walk ends at Battersea Park railway station. Grade II listed Italianate station.

NB: times are approximate and may be subject to change. We do not have access to Battersea Power Station or the gas holders site.

Contributors

Colin Thom is an architectural historian working with the Survey of London, formerly at English Heritage and now with University College London. He was co-author of the recently published Battersea volumes of the Survey of London.

Stuart Tappin is an independent consulting engineer specialising in the conservation of historic buildings He is a founder of Stand Consulting Engineers. He is a member of the architectural advisory panel of World Monuments Fund Britain.

David Waterhouse has lived at Tideway Dock for 14 years and created the community now known as Tideway Village. He runs a houseboat business in London and has a small mountain hotel high in the Alps. His love of boats started when he worked for three years on Square Rig sailing ships. He spends his time between London and Switzerland.

Brian Barnes MBE is an artist and mural painted based in Battersea. He was a founder member of Battersea Power Station Community Group in 1983.

Keith Garner is an architect based in Battersea, working on the conservation of historic buildings and landscapes. He is also interested in making buildings more accessible.

 

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