Silwood Video Archive Project Update

Participatory Archive Video Project exploring the regeneration of Silwood Estate, Lewisham

Summary 

In March we have wrapped up the final stages of our Digitally Democratising Archives project, funded by the National Lottery and The Audience Agency. 

The aim of the project was to open the Silwood archive, for the first time since filming began, and to invite the Silwood community to watch, comment on, and hopefully begin a participatory editing process which will draw out the story(ies) of Silwood.

Our project has gone largely as planned. All the aspects of workshops that we envisioned have happened. Participants have enjoyed watching and discussing the archive. Rather than stopping after 6 workshops we decided to maximise momentum by running a workshop every week for the duration of the project.

Online archive based participatory video workshops

Outcomes

Exploring the Archive

From the Silwood Archive – Residents shooting on Silwood Estate during a workshop with Spectacle

As part of this project we digitised and uploaded 392 clips from the Silwood archive. These clips covered a variety of themes including: the destruction of the estate, location shots of buildings which no longer exist, planning meetings which showcased spaces and buildings which were never built, promises made and not fulfilled, the desire for a youth centre and community centre, fly tipping, poems, and interviews with former residents. 

Archive based participatory video, missing sculpture on Silwood Estate in Lewisham and Southwark

As part of the project Spectacle published a short edited video on the theme of the missing statue Neighbourly Encounters. This statue was made by the artist Uli Nimptsch and specially commissioned for the estate.This short film brings together interviews of the model for the statue, bringing a historian on to the estate to discuss the missing statue, and the community’s memories of the statue itself. It continues to be unclear when and why the statue was removed, and where it is now. 

Community Engagement 

This project had three levels of potential engagement. The most shallow level was through likes, views, clicks, engagement on social media, or blog posts. We regularly shared public updates about the project, and occasionally posted public edited clips or videos from the archive. At this level Spectacle’s posts on Facebook about the DDA project reached 1660 individuals and had a total of 456 engagements. This is an average of 138 reached, and 38 engagements per post. Public videos received a total of 427 views on Youtube. 

Youtube playlist of videos concerning Lewisham and Southwark Silwood Estate residents

The second level of engagement was through subscription. Each blog post offered the opportunity to subscribe to a mailing list to access the archive. 26 unique participants subscribed and were given access to the 392 never before seen clips from the Silwood Archive that were uploaded during the project. Between them these 26 participants generated 1,354 views of private vimeo videos from the Silwood archive. 

The third and deepest level of engagement was through participation in workshops to view, discuss, and make selections from the archive. A total of 10 participants participated in 17 workshops over the course of 4 months. 

A view of a visit to the Silwood Video Archive page

We received very positive feedback from participants. Participants remarked that they felt this archive was “vital to the history of their community.” There was great enthusiasm to share the archive with new or younger community members who would not be aware of the history of the estate. 

Spectacle Skills 

This project has been a useful opportunity to test and develop our cataloguing, digitising workflows and our archive-based participatory workshop model. 

We developed our archive-based participatory model to run online archive-based workshops using a variety of platforms, and found ways to teach participants to use these platforms effectively. Through this process we have developed our workflows and explored the best use of accessible digital tools. 

Through this process we have developed workflows to transfer archive footage from tape and other legacy formats (MiniDV, DVCam, DVDs) to digital, to be uploaded to online platforms. 

Image from the archive – residents edit footage shot in participatory video workshops

We have developed practices for platform sharing of video archives. We have learned how to organise clips so that the archive is easier to share with participants, and explored how to balance file-naming systems for archiving versus user-friendly labelling. 

Expanding the Archive 

Spectacle visited the Silwood estate on Monday the 29th of December and filmed locations and activities including ongoing construction, fly-tipping, the location where the youth club bus arrives, the new community garden, and general location shots around the streets of the estate. 

Adding to the archive – going back to shoot location views with Silwood Estate residents

This footage will be added to the archive as part of the ongoing documentation of the Silwood estate for the past 20 years during the regeneration of the area. 

Plans to Continue the Programme 

We plan to continue working with the Silwood community on the archive. We have been involved with the Silwood community for over 20 years, and that relationship is one we are eager to continue. 

A view of the Shard from Silwood Estate

Further, this experience has given us confidence to push forward and expand the model. We are eager to use this archive-based participatory model to explore some of our other archives, and the skills gained in this project are easily transferable. We are keen to continue running archive-based participatory workshops with various communities drawing on our numerous other video archives.

The Silwood Archive project is supported by The Audience Agency’s Digitally Democratising Archives project thanks to funding from DCMS and the National Lottery, as part of The National Lottery Heritage Fund’s, Digital Skills for Heritage initiative.


Exodus 2 DVD Special Offer

Spectacle has a special 2 DVD offer: Exodus Extended Mix and Exodus from Babylon for £18.00 (including VAT and post)

Exodus Extended Mix

 

Never seen on UK TV Exodus Extended Mix was broadcast by ARTE in Germany, France  and Italy. It contains all the 26 minutes of Exodus: Movement of Jah People that Channel 4 broadcast plus an extra 18 minutes on HAZ Manor, attempts to get the Ark, on prohibition and the police operations.

Exodus offer working, viable solutions to many of society’s stated ills, poverty, crime, drugs, unemployment and the break down of community.

Exodus is a unique urban phenomenon which does not simply confront but intelligently challenges society’s assumptions and values. They offer working, viable solutions to many of society’s stated ills, poverty, crime, drugs, unemployment and the break down of community. Exodus blend a volatile mixture of rastafarianism, new-age punk and street smart politics. ‘We are not drop outs but force outs.’

Exodus from Babylon

 


The utopian Luton based Exodus Collective has met with powerful opposition. This film investigates the intricate web of this opposition and identifies a number of interlocking interests at play.

The Luton based Exodus Collective came into existence in 1992 as part of the growing DIY culture which arose in response to unemployment, poverty and frustration amongst young people.

They organised free ‘rave’ parties, renovated derelict homes, set up a community farm and now plan to open a community centre.Some of their activities border on illegality but they are entirely peaceful Exodus has a huge following amongst local people.

Their philosophy has a strong spiritual strand, appealing to notions of community and natural justice in its struggle for survival and renewal. However, their utopian project presents a challenge to the status quo and has met with powerful opposition.

Exodus from Babylon investigates the intricate web of this opposition, from aggressive policing to local government obstruction. It reveals the shift in policing from reactive peace keeping to proactive intervention, involving a series of special operations by Bedfordshire Police.

The programme looks in detail at a number of police actions against Exodus, including the prosecution and acquittal of collective member, Paul Taylor, for possession of Ecstasy and for murder. It asks why the strategy of getting tough with Exodus emerged and identifies a number of interlocking interests at play.

Exodus from Babylon contains original music by the Exodus Collective and some great reggae tunes.

Buy on Paypal below or visit our distribution page for details of other payment methods

£15.00 +VAT = £18.00 (post is included)

 

Exodus Special Select buyer,language and format

Visit Spectacle’s Archive for more videos on Exodus and Marsh Farm
Watch Cracklife music video. Shot in a one day workshop on Marsh Farm with Marsh Farm Outreach and local youth