Remote Participatory Workshop in Rostock, Germany

Does the Truth Still Lie in Rostock?

In August 2020, in collaboration with the Rostock based group Lichtenhagen im Gedächtnis , Spectacle developed and ran an archive-based two-day participatory workshop. This project is part of the run up to the 30th anniversary of the Rostock Pogrom in 1992.

The project’s events, which were held online due to the pandemic, included a public premier of a new fully German version of ‘The Truth Lies in Rostock’. The screening was followed by a Q&A with director Mark Saunders, which focused on the participatory production process through which the film was created. For more about the process or the archive footage, see the bottom of this post.

This screening also launched a unique workshop designed to connect Rostock’s past, present, and future.

The Truth Lies in Rostock

This 1993 film depicts the events which occurred in August 1992, at the Lichtenhagen estate in Rostock, in the former East Germany. Over the course of three nights, a fascist crowd assembled. The police withdrew as the mob petrol bombed a refugee centre and the home of Vietnamese guest workers while 3000 spectators stood by and clapped. 

The film uses material filmed from inside the attacked houses and interviews with anti-fascists, the Vietnamese guest workers, police, bureaucrats, neo-nazis and residents. Through these perspectives, a story of political collusion and fear unfolds. 

Thirty years later the question has become, how can the memory of the ‘Lichtenhagen Pogrom’ help fight new waves of fascism in Germany? 

Participatory Video Workshop

This two-day participatory video workshop offered the chance for young adults from Rostock to dig into the film’s questions about the nature of fascism, racism, and the roles and responsibilities of the city, state, and federal governments. 

By working with archive footage and filming a live commemorative demonstration, the workshop was designed to bridge the past and present issues of racism and anti-racism in Rostock. The workshop’s second aim was to offer new skills in media and filmmaking to these young adults. 

The workshop launched the weekend of August 20th. A group of young Rostockers were split in two groups, one working with archive footage, and one filming the live demonstration.

Before the workshop began, Spectacle digitized a portion of our extensive archive footage from 1992. The material selected was of the anti-nazi demonstration that followed the pogrom. This group worked with Spectacle to edit a new short film from the material. 

You can see their short film here: Demonstration 1992

Meanwhile, the rest of the participants went as a small group to film an event which echoed the archive material – the Lichtenhagen Commemorative Bicycle Demonstration. This group of participants learned about filming techniques and edited footage from the demonstration into a short film which focused on the landmarks which have been built to commemorate the events thirty years before. 

You can view their final short film here: Demonstration 2020

Read more about the project from the German perspective.

The Aims of the Project  

  • Provide a safe space for reflection about the events in Lichtenhagen, specifically for different groupings that were involved in the events at the time. This includes, but is not limited to the Vietnamese community in Rostock, some of whom had to fear for their lives and lost their homes in the events, and Rostock residents, some of whom were appalled at the unfolding events and other who were cheering at, or maybe even participating in the attacks.
  • Provide skills training in workshops, teaching participants how to use video cameras, record sound, and conduct interviews.
  • Potentially encouraging dialogue between diverse groups and contributing to a more sustainable community through a process of reconciliation.
  • Preserving the oral history of the 1992 events by creating Zeitzeugen (witness/bystander) documentation for future generations, through the production of a series of films including original as well as new footage. These footage shot in these workshops will be made available online as well as on DVD and can be used to educate younger generations.

The Archive 

Spectacle has an extensive archive of footage from Rostock between 1991-93. The archive grew out of a programme of participatory video workshops run by Spectacle. After the unification of Germany, all the East German media outlets were taken over or replaced with Western media. Spectacle’s series of open workshops were designed to establish an independent, community-based media group in Rostock and to document the effects of unification on the city.

All participants in the workshops were beginners, with little experience in photography or filmmaking. The practical exercises concentrated on how the unification was changing the physical urban landscape. At the close of the first sessions, each participant was interviewed about their experiences as well as their hopes and fears of “Die Wende” the unification of Germany.

One of the objectives of the workshops was to establish a community media group to that end we formed the Jako Media Co-op. Just six months later Jako E.V. and Spectacle would rejoin to make ‘The Truth Lies in Rostock’.

The production process created over 200 hours of footage that did not appear in the final edit of the film. These scenes of daily life in 1991-1993 have become an historic archive of the city at that volatile time. The aim of the 2020 project was to re-work and revisit this archive together with a new generation of Rostockers who were not even born at the time of the pogrom.

Watch The Films

Demonstration 2020
Demonstration 1992

Read past blogs about Spectacle’s Rostock projects here.

Visit our vimeo channel to see examples of Spectacle’s past PV work.

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The Truth Lies in Rostock and Despite the Sun at ASA14 Decennial: Anthropology and Enlightenment conference

asa14_longScreening of the documentaries The Truth Lies in Rostock and Despite the Sun are schedule for the ASA14 Decennial: Anthropology and Enlightenment conference running on Saturday 21 June and Sunday 22 June in the city of Edinburgh.

Both films, Despite the Sun (1986), an investigation into the year-long dispute, which shook the print industry, and The Truth Lies in Rostock (1993), one of the rare documents about the riots in Rostock-Lichtenhagen in August 1992, will be shown on Saturday 21 as part of the film programme ‘The truth of memory and the fiction of history: the politics of representation at the interface of anthropology, art and film making’. Furthermore, there will be a third screening of Spectres (2011), a film essay by Sven Augustijnen that explains one of the darkest pages in the colonial history of the Belgian Congo, around 1960.

This film session focuses on recent anthropological works that have argued that standard anthropological accounts can be inadequate to engage with contemporary socio-economic and political transformations. In questioning standard ethnographic practices, anthropologists have started to explore the relationship between facts and fictions, between truth and representation, and between individual and collaborative or collective projects. These new strands at the convergence between art, anthropology, history, film making and literature raise important issues concerning the limits of the production and representation of anthropological knowledge. This session aims to engage with these debates by presenting three films that in different ways respond to many of the wider conference themes.

The screenings will be followed by a talk and discussion with Mark Saunders, film maker and director of Despite the Sun and co-director of The Truth Lies in Rostcok. All film sessions will take place in the Lecture Theatre of the Symposium Hall.

 

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Oberhausen ‘Gasometer’ as an example for alternative use of Battersea gasholder

Battersea’s ‘listed’ gasholders are being demolished to make way for new homes, shops and business space. Wandsworth council approved the demolition of this and three other adjacent gasholders in Battersea in January 2013, as part of the regeneration of Nine Elms.

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The Evening Standard reported the following on this:

”Objectors say that alternative uses for the site should be examined. Architect Keith Garner says: “In the German city of Oberhausen, there is a gasholder with the same features and it has been transformed into a museum and a centre for art.”

The Gasometer in Oberhausen, Germany, is a former gas holder which has been converted into an exhibition space. It has hosted several large scale exhibitions, including two by Christo and Jeanne-Claude. The Gasometer is an industrial landmark, and an anchor point of the European Route of Industrial Heritage and the Industrial Heritage Trail.

In 1992 the city council of Oberhausen, with a margin of 1 vote decided to acquire the gasholder, gasometer in German, and convert it to an exhibition space. At the time, plans were being developed for building CentrO on an adjacent plot, and IBA Emscher Park planned to use the Gasometer for its exhibition. Ownership transferred to the city of Oberhausen, with Ruhrkohle AG paying 1.8 million DM in saved demolition costs to the city.

gas

Hopefully the owners of the Battersea site will reconsider the usage of the gasholders for a similar purpose. Unfortunately, work (on the Prince of Wales Drive) has already began on tearing the disused holders down and they are planned to be gone by the end of 2014.  The owners have planning permission to demolish the listed Victorian Pump House at any time.

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Last day!

“An anarchist society, far from being a remote ideal, has become a precondition for the practice of ecological principles,” Murray Bookchin (‘Ecology and Revolutionary Thought’, 1963)

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2 days to go!

“The notion that man must dominate nature emerges directly from the domination of man by man”, Murray Bookchin (‘Post-Scarcity Anarchism, 1971).

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3 days to go! Bookchin on Bookchin

“Humanity has passed through a long history of one-sidedness and of a social condition that has always contained the potential of destruction, despite its creative achievements in technology”, Murray Bookchin (‘The Ecology of Freedom’, 1982)

 

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Bookchin on Bookchin 4 days to go!

“And as long as hierarchy persists (…) the project of dominating nature will continue to exist and inevitably lead our planet to ecological extinction”, Murray Bookchin (‘Toward an Ecological Society’, 1974)

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5 days to go!

“The old substance of exploitative society reappears in new forms, draped in a red flag, decorated by portraits of Mao (or Castro or Che) and adorned with the little ‘Red Book’ and other sacred litanies”, Murray Bookchin (‘Listen, Marxist’ in ‘Post-Scarcity Anarchism’ 1971)

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6 days to go!

“Capitalism is a social cancer. It has always been a social cancer. It is the disease of society. It is the malignancy of society.”, Murray Bookchin.

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11 days to go!

“Partial ‘solutions’ serve merely as cosmetics to conceal the deep seated nature of the ecological crisis”, Murray Bookchin (‘The Ecology of Freedom’, 1982).

 

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