Silwood residents sit-down to demand a community centre.

Posted on January 17, 2020 by M.T.Wallett

After a series of community events have been cancelled at short notice, when L&Q suddenly announced the Lewington Centre on the Silwood Estate would closed at 5pm- not the scheduled 9pm, it was the final straw, after 20 years of being excluded from their own centre.

Residents wanted to show that there were people who would be prepared to manage and close the building after 5pm. The women were resident community workers and representatives of residents and tenant groups.

Residents were not asked to leave by L&Q but soon after 5 the police were in the room.

Police called to Rotherhithe estate after residents stage sit-in protest over cancelled Zumba class

This is not the whole story.

Since the building was open L&Q have resisted all attempts by the community to manage and use their own centre.

This sit down was not just about a zumba class being cancelled. It was the last straw in a 20 year struggle for the community to get the centre “regeneration” promised.

What Silwood residents had pre Regeneration: a mish-mash of community resources, youth clubs, a nursery, a creche, education and training facilities, clubs and groups, council supported and bottom up initiatives effectively run and organised by residents, paid or voluntary. Many were much loved by the community and the residents made the best of what little they had.

What they were promised, the justification for the entire regeneration scheme was a bigger, better, purpose built community centre and facilities.

What they have 20 years on is the “Lewington Centre.” A building L&Q run and refer to as an “asset” and a business. The centre is in fact let out to Morley College most of the week so it is not available for community use.There is nothing “purpose-built” about the Lewington Centre. With 25 flats above the main hall, occupied by key workers, some on night shifts, the building was never suitable for the kind of noisy social and community events like birthday parties, weddings. The acoustics have been a constant problem. Just a few teenagers playing table tennis made a deafening noise before expensive sound remediation.

L&Q insisted they had to build the flats above the centre to provide an income stream to make the centre sustainable. Its not clear why the flats needed to be physically located on top of the building given the huge amount of land L&Q were given in the regeneration deal. Without transparency and published accounts it is also not clear what this income, combined with the rental from Morley College and other private hires, is actually spent on. Do L&Q really need to charge the community to use their own hall for social and community events to “cover their overheads”?

The community want some very basic things so they can once again manage their own community resources:

Management of activities and social events at the community centre.

Registered Community key holders.

Recognition of the Community Centre Management Committee (CCMC)

Published accounts for Lewington Centre. (required under Section 106)

These are simple demands. It is curious L&Q are so resistant. Why?

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Chesterton School Mural Repair

Posted on October 21, 2019 by admin

In the playground of Chesterton School, Battersea SW11 is a much-loved mural painted by the talented Brian Barnes.

Due to construction work on the school ground, the top part of the mural was damaged and needed repair. Watch our video below of Brian explaining the different panels.

Below is a log written in his own words about the process of repairing the mural.

“The mural needed repairs because the wall was replaced taking away about 200 sq ft. of the painting equivalent to a quarter of the mural. All above the climbing studs which tended to be the most detailed.

Morgan Paton helped me in the weeks of the summer holidays. The weather was very warm with a very hot day of 38 degrees in the shade but little shade, Morgan made a tarpaulin shelter. We had a few volunteers Omero painted the blue arc on 27^th August. Then we also had help from Fraya and Liam. Morgan painting Downe House home of Charles Darwin near Bromley. I painted a new version of the portrait of Darwin from a photo.

We went on Saturday 21^st September to complete the repairs having painted for 10 days for 120 hours (not including an extra drawing for the Darwin portrait on paper)”

Brian Barnes is the founder of the Battersea Power Station community group. You can follow the links below for more updated information on the campaign to save the power station.

Click Battersea Power Station for more blogs, information and videos.

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Silwood Community Centre Management Committee

Posted on October 15, 2019 by clockword

Before the “regeneration” of the Silwood Estate by Lewisham and L&Q in 2000 the residents successfully ran their own community centre and youth facilities- either voluntarily or employed.

These facilities, the youth club, cyber centre, community hall, under 5s etc were demolished and residents were promised a bigger and better purpose built “Community Centre” to not just replace but improve on what they lost. What followed was a systematic disempowerment of the community. What they got was the L&Q run “Lewington Centre”, a totally unsuitable building that residents struggle to access. L&Q sublet the building to Morley College which is of no benefit to the community and means the building is rarely available for residents to use.

On the 16th of September 2019, the Silwood community held a meeting to form the Community Centre Management Committee (CCMC). This meeting symbolises local people of Silwood wanting to come together to improve the facilities of the community and surrounding areas.

Silwood Community Centre run by L&Q

Historically, the residents successfully ran their own community centre and amenities. Sadly, under the regeneration of the estate, L&Q housing association took control of the new purpose-built community centre that was meant to not just replace but improve the facilities lost. Following the regeneration, L&Q then sub-let the centre to Morley College and the community has felt excluded ever since.

After years of frustration, the establishment of an independent CCMC means the whole community could have their voice heard. In the past L&Q have managed to make promises and not keep them to individuals without being made accountable but now with the strength of the committee, this will happen no more. A significant improvement for the community, as in the past, resident’s concerns about the management of the estate was falling on to deaf ears and there was no one to hold L&Q accountable to fulfil promises made.

Silwood Residents at Inaugural Community Management Meeting

Spectacle has been documenting the resident’s struggle since 1999 and continue to do so today. We believe that the injustice done to the residents is unacceptable. By setting up the Silwood video group to document and lobby for a meaningful regeneration, we are working with the community to help bring awareness to the mistreatment of Silwood residents.

The group has participated in workshops organised by Spectacle and filmed the consultative meetings so they have a personal record.

Rita Edmond, Community Develop Practitioner, in her interview, exclaims, “we stand together, and we fall together.” which is an attitude that currently illustrates the unity of the Silwood community and their hopes for the future.

Another interviewee, Pembe Kumbi, Local entrepreneur, said the community has lots of hidden young talent that will be expressed through the use of the community centre.

There is so much opportunity for Lewington Community Centre to become a hub for people to gather for youth groups and an assortment of classes. Joyce Jacca mentions all sorts of potential uses for the centre if it is allowed to be run by the locals.

This represents a whole new chapter in the Silwood story that goes to the heart of community empowerment and wellbeing.

Video Production Enhances Research Impact

Posted on September 30, 2019 by Ewelina Dabrowska

Are you an academic researcher, PhD student, PostDoc fellow seeking to boost the impact of your research? Do you wish to improve the originality of your research proposals in humanities, science, arts, social sciences? Why not include a video outcome in your funding application?

Video workshop at Sheffield University

Other academics are already using media production to enhance the impact of their research in many ways. Video can be used either to monitor the research process and report research results, or it can be integrated in the research methods as a strategy to collect original data that can be easily analysed and disseminated. Spectacle has long experience in training academic staff in how to achieve quality video outcomes for their investigations.

We have already organised bespoke courses for anthropologists and social researchers of Edinburgh University, Cambridge University, Open University, Social Research Association, Amsterdam University, academic staff at Birkbeck, Comms departments at Oxford University, Cambridge University Press, King’s College as well as the Macular Society. All gave us excellent feedback.

Together with practical skills and confidence, they went away inspired and excited by the potential of incorporating video in their academic work in order to improve the impact of their scientific communications.

We offer a range of options to train you in video making, from weekend courses to three-day participatory video workshop, to bespoke training programmes addressed to staff or research groups.

Please visit our Training page or write to us for quotes and info at training@spectacle.co.uk

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Memories of Battersea – Screening Event

Posted on September 25, 2018 by Ewelina Dabrowska

We are pleased to announce that after a few months of filming and collecting stories from Battersea residents, we are ready to screen our project to the public!

Memories of Battersea is a video oral history project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gave young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

The screening will take place on Monday, 15th October at
Senior Citizen Club
234 Carey Gardens
London SW8 4HW.

4.30pm – 5.30pm – walking tour of the Carey Gardens Estate with Mark Saunders – filmmaker, Brian Barnes – mural artist and Nick Wood – architect
5.30pm – 7.30pm – screening and discussion with contributors and filmmakers

You can find trailers to “Memories of Battersea” in our previous posts or on Spectacle’s Youtube channel: bit.ly/MBATTtrailers

More info about the event can be also found here

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Lost video “Aug 13” on “Battle of Lewisham 1977” found in Spectacle Archive

Posted on August 8, 2018 by archive

Late July 2017, just a few weeks before the 40th anniversary of the Battle of Lewisham Spectacle found the “lost” video of the anti-fascist film “Aug 13: What Happened” in its extensive and unique video archive. The Spectacle video archive contains over 3000 hours of video on social justice, urbanism, human rights, housing, anti-racism, alternative and radical media from 1977 to the present day. Much of the late 1970s and 1980s content was shot in and around East London which was a very different place then.

The film “Aug 13” was found, high on a shelf, among a group of U-Matic tapes Despite TV had gathered for a film, never finished, for the 50th Anniversary of the 1936 Battle of Cable Street when the Jewish community of East London and its anti-fascist allies blocked the streets in order to prevent Oswald Mosley and his British Union of Fascists marching through.

August 13 1977 the Battle of Lewisham from Spectacle Media on Vimeo.

The film depicts the infamous events of 13 August 1977, the so called Battle of Lewisham, when the far-right National Front (NF) attempted to march through South East London which led to clashes with anti-fascist groups, and later between demonstrators and the police. The footage shows the first time police deployed riot gear on the UK mainland and provides vital evidence about the demonstration and its aftermath in which over 100 people were injured.

With testimony from eyewitnesses varying, and often contradicting official reports, the battle has become a contested historical event. The film was shot by volunteers connected to the Albany Video project in Deptford. This version was restored just in time for the anniversary and is now included in the London Community Video Archive

Nearly forty years later to the day, 12 August 2017, there was the “Charlottesville incident” a counter demonstration against a White Supremacist and Neo-Nazi march in Charlottesville , Virginia, USA. Lessons from the past might help in the fight against a new virulent form of Fascism taking a grip particularly in the USA, UK and Europe.

You might also be interested in our documentary film

22nd August will also be the 26th anniversary of the Rostock-Lichtenhagen riots. Check out our participatory investigative feature length documentary “The Truth Lies in Rostock”

The Truth Lies in Rostock from Spectacle Media on Vimeo.

August 1992 Lichtenhagen estate, Rostock, former East Germany. Police withdraw as fascists petrol bomb a refugee centre and the home of Vietnamese guest workers while 3000 spectators stood by and clapped.

Using material filmed from inside the attacked houses and interviews with anti-fascists, the Vietnamese guest workers, police, bureaucrats, neo-nazis and residents, a story of political collusion and fear unfolds.

“Aug 13” is just one of the many lost and forgotten gems to be found in the Spectacle Archive. We are always interested to explore collaborative projects based on our archives.

To find out more about our archive, which also includes 100s of original paper documents regarding independent media 1977-2000 please ontact archive@spectacle.co.uk to find out more or visit Spectacle Archive

Spectacle trains the Macular Society in video production and editing

Posted on July 25, 2018 by Ella Smith

Spectacle provides video marketing training to clients in a wide range of sectors, including charities.

The Macular Society approached Spectacle wanting to learn how to use video to further their campaigns, to fundraise and to increase awareness of the charity as a whole, with the ultimate aim of being able to do more to help individuals effected by Macular Degeneration disease.

Andrew Gray, of the Macular Society, arranged and attended the video training session and found it “perfectly suit[ed]” their needs.

He said: “If you’re thinking about incorporating video content into your work, whether you’re starting up from scratch or looking to fine tune your existing skills, we’d have no hesitation in recommending Spectacle to help you.” Andrew also felt Mark, the tutor, was excellent and helped the participants to really understand the best equipment, and how to use it to improve the content they had already created.

Macular Degeneration is a disease affecting the central part of the retina, which can over time cause partial or full lose of vision. Researchers predict that by 2020, there will be 679,000 people with AMD (Age-related Macular Degeneration) in the UK, therefore it is crucial to raise awareness of the sight-affecting disease. Macular Degeneration can have devastating effects, causing some people with the disease to eventually become legally blind.

Video is a powerful and effective way to raise awareness of important causes like Macular Degeneration. It can help raise awareness and market charities, visually, which can often be more effective than words. But out sourcing video can be expensive.

Training staff to record and edit videos themselves is hugely time and cost effective. Also, results can be better without a film crew of a strangers, making the project’s outcome more powerful.

Spectacle ran a bespoke training course on location for The Macular Society, but also offer the course in our south London workshop. We can teach participants all the stages of video production and editing process in an informative and clear manner.

To find out more visit Spectacle Training or contact us on: training@spectacle.co.uk

Battersea Power Station under investigation for “dubious” investments

Posted on July 13, 2018 by M.T.Wallett

Former Malaysian PM Najib Razak (pictured below sharing a joke with David Cameron and Boris Johnson) has been charged with corruption over a ‘£3.4bn fraud.’

Caption Competition: Former Malaysian PM Najib Razak, Boris Johnson and David Cameron

The purchase of Battersea Power Station, the biggest property deal in the UK, is under threat after Anwar Ibrahim, the new leader of Malaysia’s governing coalition said it would be investigated as part of “dubious” investments made by the previous administration.

The Guardian reported:

“Anwar Ibrahim’s comments will raise questions about the British government’s commitment to fighting corruption. He said the money trail of the 1MDB fraud ran through London, with $1.83bn of Malaysia’s cash funnelled into a Saudi-British company.

“There was no attempt by British authorities to investigate. But this was a crime using sovereign wealth funds for reckless spending sprees.” he said.

“I say to Britain: you talk about transparency and anti-corruption drives, now is the time for action. I am saying now allow the institutions to conduct investigations fairly and give the necessary cooperation.”

Anwar Ibrahim, the opposition leader spent nine years in prison on charges which have been confirmed as trumped up and politically driven.

We ask how does this impact on the future of the building? The signs are not good. Despite being festooned with cranes there does not seem to be much going on at the site, just the continuation of the demolition by stealth. The east and west walls of iconic art deco brick work have gone. The London luxury property market has effectively collapsed. Many key individuals, including long time CEO Robert Tincknell, have left the Battersea Power Station Development Company (did they jump or were they pushed?).

Are we going to be left, as predicted, with a useless and worthless ruin surrounded by hideous and empty flats that no one wants to buy? Will the poor workers of Malaysia ever see their money back?

You can read more about Battersea Power Station on our blog and watch our film Selling an Icon here:

Battersea Power Station: Selling an Icon from Spectacle Media on Vimeo.

‘Battersea Power Station: Selling an Icon’ tells the story of Battersea Power Station from its prominence as a site of industrial power through the years of dereliction, speculation and planning blight to the replacement of the chimneys under the current scheme – a key example of developer-led preservation. In an age of aggressive ‘big business’ redevelopment, the film gives voice to the local communities who are rarely consulted and often overlooked.

Filmed over 15 years, Spectacle’s new documentary follows the grassroots campaigns of Battersea Power Station Community Group to preserve the building for the public good. It takes us straight to the heart of the current conservation debate about whether – and how – historic buildings should be preserved, governed, modified or replaced, and ‘who’ they belong to.

Also available to purchase on DVD. For institutional buyers and public screenings, please contact us at distribution@spectacle.co.uk.

Memories of Battersea: Nick

Posted on July 11, 2018 by Morgan Lewis

Memories of Battersea is an oral history video project run by Spectacle and part funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, Spectacle met Nick Wood, the eclectic architect who designed and built the Carey Gardens estate in the early 70s in SW8 Battersea in Wandsworth.

Nick Wood, the GLC architect of Carey Gardens estate

Throughout his successful career at the London County Council and the Greater London Council, Nick aimed to create “council estates that didn’t look like council estates”, designing buildings that could provide an enjoyable living environment for its residents. Nick applied Sir Leslie Martin’s theories on land use to design Carey Gardens estate and his model proved that it was possible to achieve high density with low-rise buildings. During this time period, this was seen as revolutionary seeing as high-rise blocks were seen as more fashionable but cost more to build.

The Carey Gardens estate model, designed by Nick Wood

This Memories of Battersea episode gives an insight into the history of social housing, focusing on the effort of building new homes for the Battersea community after the devastation of World War II. Nick also walks through his theory use and intentions on building Carey Gardens as he sits down with an aerial map of the estate. He also mentions the Carey Gardens Co-operative, the tenant management organisation that plans events and coastal trips for the residents, proving how good urban housing design creates vibrant and happy resident communities.

Watch the full film here.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ stories.

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Memories of Battersea: Mohamed

Posted on July 6, 2018 by Morgan Lewis

Memories of Battersea is a video oral history project run by Spectacle and funded by the Wandsworth Grant Fund. The project gives young adults from Battersea the opportunity to be trained in film-making while producing short films about their neighbourhood, collecting memories from elder Battersea residents, bridging intergenerational gaps and engaging with the history of their borough.

In this video, we meet Mohamed Ali, a local community organisation founder and Battersea resident who immigrated from Somalia with his family in the late 90s to seek a better life away from the on-going Somali civil war.

Mohamed Ali, local Battersea resident and founder of Elays Network.

Mohamed spends his time working in the R & E Centre on St Rule Street in the SW8 area. He started Elays Network to work primarily in youth development and education but as the organisation expanded, they began to involve men and women of all ages in various activities, focusing on building bridges between the migrant communities and the host communities.

Most recently some of the organisation’s women came together to curate an event called Somali Women in the Arts which saw them exhibit their artwork, from paintings to poetry, in the Battersea Power Station.

Somali Women in the Arts exhibition, held at the Battersea Power Station.

He talks about his early experiences adjusting to life in London, the urban development and gentrification in Battersea and its impact on the lower and working class, the establishment of the Somali community within the borough of Wandsworth and how he founded Elays Network. He also relives some key events of how Elays has helped to strengthen and and bring together the Battersea community, as well as suggesting how the migrant and host communities should move forward in becoming a better integrated, accepting and united society.

Watch the full film here on Vimeo.

Visit Spectacle’s Memories of Battersea channel on Vimeo to watch other episodes featuring Battersea residents’ unique stories.