Battersea Power Station: da icona rock a speculazione

In questi giorni Battersea Power Station andrà in giro per il mondo a vendersi. Un tour pubblicitario globale per lanciare, probabilmente, il più grande progetto di sviluppo immobiliare del momento a Londra e, certamente, tra i più controversi. La pubblicità è iniziata con un articolo di Enrico Francechini su Repubblica, che presenta il megaprogetto per i suoi aspetti avveniristici. Tuttavia non coglie gli aspetti critici della speculazione edilizia, il contesto di housing crisis e il rischio di cancellare l’icona del passato industriale Londinese (in bello stile art deco) lungamente denunciato dal Battersea Power Station Community Group. Un recente articolo del Financial Times, dando spazio al World Monument Fund e alle sue preoccupazioni, ci sembra che tenti di contestualizzare il lavoro dell’impresa immobiliare (Battersea Power Station Development Company).

Il brand usato dalla Battersea Power Station Developing Company

Il brand usato dalla Battersea Power Station Development Company

Probabilmente per un italiano medio Battersea Power Station non significa granché, ma se aggiungi la copertina di Animals dei Pink Floyd allora dalla memoria qualcosa affiora.

Copertina del celebre album  Animals dei Pink Floyd

Copertina del celebre album
Animals dei Pink Floyd

Per i londinesi Battersea Power Station rappresenta molto di più: un’icona del passato industriale e un punto interrogativo sul futuro dello sviluppo immobiliare della capitale britannica. Costruita a partire dagli anni ’30, questa cattedrale industriale fino all’inizio degli anni ’80 ha fornito elettricità alla metropoli, calore nelle sue case e ha dato un decisivo contributo alle affascinanti e nebbiose atmosfere stile “fumo di londra”.

Contributo della Battersea Power Station all'inquinamento di Londra e alle sue atmosfere fumose (getty images)

Contributo della Battersea Power Station all’inquinamento di Londra e alle sue atmosfere fumose (getty images)

Battersea Power Station fa parte dell’immaginario di milioni di frequentatori della capitale, stagliandosi nei finestrini dei pendolari che ogni giorno transitano dalle stazioni ferroviarie di Vauxall, Clapham e Victoria Station.  La bellezza dell’edificio e delle enormi ciminiere bianche, il condensato di storia industriale che incarnano hanno fatto sì che la Battersea Power Station entrasse già nel 1980 nella lista degli edifici storici.  A partire dal 2004 il prestigioso World Monument Fund ha incluso Battersea Power Station e le sue ciminiere nella lunga lista di edifici patrimonio dell’umanità che necessitano di essere protetti per i posteri. Ma da cosa bisogna proteggere Battersea Power Station?

Chiusi i battenti, l’enorme area industriale attorno alla centrale elettrica e lo stesso edificio sono a lungo rimasti abbandonati a se stessi, passando di mano in mano tra diversi investitori che hanno tentato di proporre i più disparati progetti di sviluppo, mai andati oltre annunci o parziali demolizioni dell’esistente (come il tetto, per esempio, da parte di precedenti proprietari)

STORIA DELLA BATTERSEA POWER STATION

Primi Piani: 1980-90

Nuovi Piani: 1993

GIORNI NOSTRI

Ma questa volta la Battersea Power Station Development Company, braccio operativo di una cordata di società e istituti finanziari della Malesia, sembra fare sul serio: archistars (Frank Gehry, Norman Foster, Rafael Vinoly), budget faraonico (8 miliardi di sterline, circa 10 miliardi di euro) e la benedizione di sindaco e primi ministri dovrebbero permettere di creare, la’ dove ora c’e’ una cadente centrale elettrica, il centro di una nuova città nella città.

Da sinistra: il sindaco di Londra (Boris Johnson) il primo ministro inglese (David Cameron) e il primo ministro della Malesia Datuk Seri Najib Razak alla cerimonia d'inizio lavori alla Battersea Power Station (4 luglio 2013). Source: Daily Telegraph

Da sinistra: il sindaco di Londra (Boris Johnson) il primo ministro inglese (David Cameron) e il primo ministro della Malesia (Datuk Seri Najib Razak) alla cerimonia d’inizio lavori alla Battersea Power Station (4 luglio 2013). Source: Daily Telegraph

In questi giorni la Battersea Power Station Development Company porta in un tour globale i suoi progetti, in cerca di investitori stranieri pronti ad acquistare un posto nel nuovo nel centro che hanno intenzine di costruire. Anche gli Italiani avranno modo di esserne parte: la campagna pubblicitaria passerà da Milano dal 5 al 9 novembre. Per chi si fosse perso la notizia, il lancio del tour, almeno per il pubblico italiano, è avvenuto grazie a un lungo articolo di Repubblica che porta la prestigiosa firma di Enrico Franceschini, suo inviato a Londra.

Invitato dalla Battersea Power Station Development Company a “dare un’occhiata da vicino e a fare due chiacchiere”, l’inviato restituisce un entusiastico affresco delle infinite capacità di una città capace di guardare al futuro per reinventarsi attraverso progetti da sogno. Tra le righe Franceschini sembra quasi suggerire di prendere esempio e evidenziare ciò che manca a noi poveri italiani, impelagati nel presente e appesantiti da un passato di cui non sappiamo bene cosa fare. Chi si prenderebbe la briga di reinventare quartieri interi, investire miliardi per il futuro di Roma o Milano?
A Londra invece si può e la Battersea Power Station Development Company pensa a tutto: giardini d’inverno sul tetto della centrale, negozi e spazi espositivi, oltre che spazi abitativi per 100.000 persone e una deviazione della metro fino nel cuore del nuovo e straordinario “villaggio”.

Allora benvenuto sviluppo e capacita’ di fare: benvenuta “Città Futura!”

Veduta aerea del progetto come dovrà essere a conclusione lavori. In mezzo ai grattacieli si intravede la centrale elettrica.

Veduta aerea del progetto come dovrà essere a conclusione lavori. In mezzo ai grattacieli si intravede la centrale elettrica.

Peccato che dal simpatico affresco del nostro caro Franceschini manchino un po’ di fatti e alcuni altri vengono presentati in maniera tanto semplicistica da apparirci sbagliati, o perlomeno fuorvianti. Per chi non abbia ancora avuto la possibilità di saperne di più, ecco i principali.

Londra è probabilmente al picco del suo mercato immobiliare e, contemporaneamente, della sua capacità di attrarre migranti d’ogni sorta dal resto del mondo. Con il venir meno di piani e finanziamenti per abitazioni sociali e un mercato pompato da enormi liquidità provenienti dai gruppi finanziari e magnati di mezzo mondo, la gente “normale” si trova coinvolta in una paurosa crisi abitativa. Il fenomeno va avanti da almeno trent’anni ma gli effetti, in un contesto di crisi, austerità e con un mercato degli affitti alle stelle, sono devastanti e raggiungono fasce sempre più ampie della popolazione. Mentre si investono miliardi in edifici avveniristici, a Londra non ci sono nuovi appartamenti, non dico per i poveracci immigrati da mezzo mondo, ma nemmeno per la middle class locale.

Il Financial Times, invitato a scrivere sul progetto più o meno come Repubblica, riporta l’opinione di Peter Rees, un famoso urbanista, esperto di pianificazione e docente al prestigioso University College London.

“Peter Rees  […] has described the proliferation of new, largely residential, towers along the south bank between Battersea and London Bridge as “a disaster” that is “ruining London”.”

Questo parere tombale introduce un rapido excursus dei problemi relazionati al mercato immobiliare londinese e ai megaprogetti di sviluppo, come quello di Battersea. Non che il Financial Times sia la bibbia, o che le preoccupazioni del pubblico britannico siano le stesse di quello italiano, ma forse contestualizzare un po’ questo progetto sarebbe stato interessante anche per i lettori di Repubblica. Soprattutto coloro che si apprestano a valutare da vicino, come suggerito dall’articolo, la possibilità di acquistare un appartamento nel complesso della Battersea Power Station.

Per Franceschini a Battersea “…se c’è un difetto è quello che la Città Futura sulla riva sud del Tamigi sembra un set cinematografico […] Ma lo stesso si può dire di Canary Wharf, la nuova City degli affari più a est sempre affacciata al fiume, o dell’Olympic Park, il quartiere dell’East Side rigenerato dalle Olimpiadi del 2012. Con un po’ d’immaginazione si può intravedere come sarà la Londra del 2020 o del 2030, un po’ New York, un po’ Las Vegas, un po’ Old London, un po’ Luna Park.”

Secondo noi di difetti (e rischi) ce ne sono, e sono ben altri.

Ciò che ha reso Battersea Power Station l’icona gotico industriale che attualmente rappresenta sono le ciminiere bianche. In passato Spectacle ha supportato e documentato su questo blog le campagne in difesa della centrale e, in particolare, delle sue ciminiere. La proprietà sostiene che le ciminiere siano un pericolo, in quanto danneggiate dal tempo e rese pericolanti dalla mancanza di manutenzione degli ultimi 30 anni almeno. A tale scopo Battersea Power Station Development Company ha in mente di demolirle per sostituirle con copie nuove di zecca che ne garantiscano la solidità per gli anni a venire.
Franceschini affronta l’argomento con un simpatico, quanto sibillino, inciso che potrebbe apparire di poco conto:

“Non c’è pericolo che i comignoli bianchi cadano in testa ai nuovi inquilini: quelli verranno abbattuti delicatamente e rifatti uguali ai vecchi ma nuovi, per ragioni di sicurezza, mentre il resto dell’antica struttura, ben rinforzato, rimarrà dov’è.”

In realtà questa è precisamente la posizione dell’impresa, il cui CEO è arrivato a paventare rischi imminenti di crolli, anche in caso di folate di vento più forti del solito.
Diversi elementi fanno dubitare sul fatto che le ciminiere rappresentino un pericolo concreto. Se le nostre inchieste e le interviste realizzate con i membri del Battersea Power Station Community Group, promotori delle campagne di difesa della centrale da speculazioni e distruzioni, possono sembrare parziali, torniamo al Financial Times e a come affronta lo stesso argomento.
La scelta, in questo caso, è stata quella di affidare al World Monument Fund uno spazio in calce all’articolo per presentare la propria posizione nei confronti del progetto. Dalle righe a firma Jonathan Foyle, chief executive del World Monuments Fund Britain, si scopre che questa pericolosità è contestata da tre autorevoli studi:

“In 2005, three engineers concluded the existing chimneys could be repaired in-situ. Instead, they are to be razed and rebuilt as smoke stacks that never smoked, reducing long-term maintenance.”

Fatto sta che le ciminiere stanno venendo giù, e anche rapidamente, in barba a tutti i tentativi operati dagli attivisti del Battersea Power Station Community Group di far valutare a impresa e municipio piani alternativi di restauro. Inoltre le garanzie predisposte affinché l’impresa effettivamente proceda alla ricostruzione delle ciminiere sembrano essere state aggirate. Se in un primo momento il municipio aveva imposto alla compagnia di procedere alla demolizione e immediata ricostruzione di una ciminiera per volta, nuovi accordi hanno stabilito che dopo aver abbattuto e cominciato a ricostruire la prima ciminiera, le altre tre potranno essere smantellate tutte insieme.

Inoltre è stato chiesto all’impresa di depositare in un conto vincolato fondi sufficienti a garantire la ricostruzione, anche in caso di fallimento improvviso o vendita a terzi del progetto (le dinamiche del passato fanno credere che non siano ipotesi tanto remote…). Il fondo depositato è di 11 milioni di sterline (14 milioni in euro, un po’ pochino a detta di un ingegnere della stessa Battersea Power Station Development Company) e il deposito è stato effettuato in una banca malese. Secondo gli attivisti in caso di effettivo fallimento della Battersea Power Station Development Company, sarebbe quasi impossibile riscuotere i soldi di garanzia.

Battersea Power Station è solo uno dei centinaia di progetti di development finanziati da gruppi immobiliari a capitale britannico o internazionale, tutti extralusso. Questi progetti spesso creano bellissimi e avveniristici quartieri, ma spettrali: i primi acquirenti sono, normalmente, gruppi immobiliari e affaristi di mezzo mondo che comprano e vendono appartamenti come titoli azionari. Questi proprietari, che Battersea Power Station Development Company apparentemente sta cercando di raggiungere nel suo tour globale, sono normalmente in cerca di curve di mercato che garantiscano utili, più che di esperienze urbanistiche e vedute mozzafiato. Lo scarso interesse verso la reale esperienza abitativa degli investitori rende più che sospettosi circa l’attenzione che la Battersea Power Station Development Company riporrà nella salvaguardia architettonica del sito.

 

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Local artist Maggi Hambling condemns Lambeth Council’s ‘Jack the Ripper policy’ towards urban development

Maggi Hambling deplores Lambeth’s destruction of housing co-ops in an interview from her Clapham studio

Painter, sculptor and Clapham resident, Maggi Hambling, told Spectacle that ‘Lambeth Council, rather like Jack the Ripper, seems to be ripping its way through the whole feel and importance of this area’ through its short-termist policy of selling off cooperative housing, such as that of Rectory Gardens, just round the corner from Maggi’s sunlit studio.

‘What I think is most extraordinary is that Lambeth calls itself the ‘Cooperative Council‘ when it has destroyed and is still destroying every cooperative around me. It’s terrible, to put it mildly’, she says. In an interview for Spectacle’s documentary about the breaking up of Rectory Gardens Housing Co-op, Maggi describes Lambeth’s ‘money-grabbing, short-sighted, and morally criminal’ behaviour towards Co-ops in the borough. In nearby Lillieshall Road, only two of 15 houses remain, while residents of Rectory Gardens are currently in the process of being evicted.

‘The creative community, as I have known it over all these years, has changed from an enormous mix of different people living together and caring about each other into this gentrified place where money, money, money, rather than any kind of feel for the community, rules. Every bit of creative spirit is being exterminated with a very heavy hand. Nothing but destruction is coming from above.’

Maggi moved to the area in the 1960s and remembers the wide variety of people who once made this their home, including artists and craftspeople. The systematic eradication of co-ops, she fears, is the product of a policy of greed that will ultimately destroy what makes this place special to live in.

‘Clapham and places around here will just become dormitories for people in the city who can afford the extortionate amounts of money they’re paying for their little bit of castle. This area is trying to turn itself into Mayfair. Something that the totally un-cooperative Council is probably very happy about to the detriment of healthy communities and anything that breathes any life.’

‘Rectory Gardens is the last bastion of the cooperatives and is hanging on by its teeth. Whatever anyone can do to save it must be done now. I would ask the Council to look at their own greed and lack of foresight and vision. Otherwise, this sort of Jack the Ripper policy is going to amount to a London that is extremely boring, to say the least.’

Despite anger, Maggi optimistically concludes that ‘it is possible to win these battles. The so-called Cooperative Council should be emphatically made to see how blind they are being and how cruel.’

But, she wonders, as many might, ‘why does everything have to be a battle?’

What you can do:

Sign the petition at Change.org: http://www.change.org/p/lambeth-the-cooperative-sic-council-stop-the-co-op-housing-evictions

Visit Lambeth United Housing Co-operative’s website: http://www.lambethunitedhousingco-op.org.uk/

Write to the Council to support the ‘Super Co-op’ solution: http://www.lambethunitedhousingco-op.org.uk/?page_id=157

Tweet, Facebook, and disseminate this and related blogs and news articles to your contacts.

Peckham Rye Station neglected by Network Rail

Network Rail’s redevelopment plans for Peckham Rye Station are more about profit and less about what they actually should be: renovation. The pictures linked below, of the bad condition of Peckham Rye, are a clear example of how Network Rail do not take care of buildings and facilities they own and their customers that use them. These puddles, and sometimes floodings are the direct result of the lack of maintenance, bad drainage and no roof to protect commuters from the rain. Network Rail has decided, in the name of profit, to bring big chains to the area and by doing so, kick out local businesses and communities, rather than simply tidy and refurbish their property, as the Peckham locals have requested.

Watch the trailer of our short film on Network Rail’s development plans, “Bleacher on the Rye”

20140826_10462520140826_104435

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A brief update on Battersea Power Station and the Nine Elms development

bps2

As construction work progresses on the Battersea Power Station site, the Battersea Power Station Development Company’s (BPSDC) ambitious plans for the project appear to be moving rapidly forwards too; last week it was revealed that the company have made an official bid for the proposed Crossrail 2 line to serve the location. An extension of the Northern Line, Charing Cross Branch, is already planned (and will be partially financed by Sime Darby, the Malaysian consortium behind the Battersea Power Station Development Company) from Kennington to the Power Station. The Evening Standard reports that TfL is citing this as a reason to distance itself from the proposal, insisting Battersea Power Station will already be adequately connected.

Meanwhile, on the ground Everyman continue to lease an area in front of the Power Station to screen films and sell expensive, ‘ethnic’ food in the evenings from Thursday to Sunday. Last week our interns, Charlotte and Marta, risked death by falling chimney chunk to check out the event and sneak some surreptitious footage. Surprisingly they survived, reporting only giant Jenga pieces flying around.

Elsewhere, on the neighbouring Nine Elms site, all-consuming construction work has spilled out onto the Thames Path, limiting access to Tideway Village, a floating community of houseboats now overhung by the Riverlight development buildings.

Bleacher on the Rye trailer released

Following several successful screenings, we have released a trailer for our new film Bleacher on the Rye, about the proposed redevelopment of Peckham Rye Station.

The residents of Peckham Rye claim they asked for a clean up of the station and surrounding area, described by community group Peckham Vision as a complex site with “commercial buildings nestled amongst railway buildings, viaducts and arches”. Instead the proposed redevelopment would gut the area to make way for a shopping centre and new residential blocks.

The film articulates the concerns of residents and local business people, who oppose the redevelopment, which one man describes as a “bleaching”. “They want a new set of people here,” he says.

Spectacle has been observing and documenting the ‘regeneration’ of London over the past 20 years, which has largely resulted in the displacement of local people, the break up of communities, the creation of gated communities and privatisation of public space.

Please contact us if you would like to organise a screening of this film.

Screening at Peckham Vision Community Public Event

Spectacle’s latest film ‘Bleacher on the Rye’ will be screened 6pm Wednesday 23rd July in the CLF Art Café, 133 Rye Lane as part of the launch of the community-built model of central Rye Lane as it is now.

The Peckham Vision event is from 3pm until 9pm which includes exhibition and creative activities, meetings and the screening of the film at 6pm.

 

Community-built model

Picture 10As explained on the Peckham Vision website “The Station Gateway site is a complex one with commercial buildings nestled amongst railway buildings, viaducts and arches. The site is divided into properties with addresses on Rye Lane, Holly Grove, Blenheim Grove, Station Way, Dovedale Court, and Blenheim Court. So we created a site map showing exactly where these places are and how they related to the plans for total clearance that we were beginning to hear about. This aid to discussion proved invaluable as during 2013 we took two deputations to the Cabinet, attended a Scrutiny Committee, and took part in many community fairs, events and meetings, and discussion about the issues raised by the plans. Then Network Rail published their proposals to clear the site and redevelop it completely. To be able to have clear discussions, local people needed to have a model of the existing buildings and their layout on the site and also the areas around the site. We had suggested to the Council during the consultations last winter that a model would be very useful for this purpose. But the Council turned down the idea as too expensive. So Peckham Vision decided to ask local people on our networks if they would be interested in making a model with us for use in the planning discussions. Many people responded enthusiastically, and over 30 are now taking part in our model making group under the expert guidance of local architects Benedict O’Looney and Clyde Watson from Peckham Vision. Local organisations supporting the project are the Peckham Society, Whitten Timber and Complete Fabrication, Khan’s Bargain Ltd. We acknowledge with much thanks their support for this community project. The model is at a scale of 1:100 and is slowly taking shape building by building. It should be ready for use in a few weeks.”

Picture 4Read the Guardian City article by Matthew Ponsford: Could ‘co-design’ help Peckham where community consultation failed?

 

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Bleacher on the Rye screenings

Our new film ‘Bleacher on the Rye’ on the proposed redevelopment on Peckham Rye Station by Network Rail has had two recent screenings in order to make local people and businesses aware of this plan that is threatening the station area. Tonight, 6th June 2014 6.15-7.15 there will a third screening at Goldsmiths University as part of the event ‘A Tale of Two Cities: Class and Space in Paris and London.’

The screening is free and open to all. Details here.

The film is still in development but has had two recent local screenings to raise awareness of the plans. At every screening the film is more developed and tweaked to respond to audience feedback.

Wednesday 28th May, ‘Bleacher on the Rye’ was screened at the exhibition ‘CO-IMAGINE the re-development of Peckham Rye Station‘ at Peckham’s CLF Art Cafe (Bussey Building). The exhibition brought together an array of imaginative visions for the future of the station and its surrounding area and an open forum panel discussion with speakers; Eileen Conn from Peckham Vision, local architect Benedict O’Looney and Mark Saunders of Spectacle. The purpose of the event was to provide the necessary space for discussion ahead of Southwark Council and Network Rail’s open ‘co-design’ workshops this summer, in an attempt to actively involve local residents and stakeholders in a collaborative design process to consult on plans for the imminent redevelopment of Peckham Rye Station Gateway.

Friday 30th May Cinema6 screened a slightly updated version of ‘Bleacher on the Rye’ in a Gentrification Double Bill ‘There goes the neighborhood‘ with ‘Concrete Heart Land‘ which documented the attempts by local Heygate residents, in Elephant and Castle, to resist the ongoing process of dispossession and gentrification. Hosted in the cosy arch of artist studios Arcadia Missa Cinema6 together with Full Unemployment Cinema and Southwark Notes opened a lively and fruitful audience discussion with other local activists and artists on shared experiences and strategies.

If you would like to organise a screening of this film please get in touch.

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Boxpark threatens to take Peckham as its next victim

01_LRPeckham Peculiar recently uncovered the revelation that may see the end of Peckham as we know it. Not only is Peckham currently battling to protect its thriving local businesses around the station from corporate advances, but it now faces a – not entirely dissimilar – threat from Boxpark; the leading light in over-night gentrification.

Boxpark is the brain child of CEO and founder, Roger Wade, and sees refurbished shipping containers, stacked on top of each other, they claim to be the world’s first pop-up mall in Shoreditch, no less. While the idea has given opportunity to some independent businesses, the local economy is not of primary concern as it is also home to high-end brands like Nike and Puma, as well as all the novelty establishments usually reserved for Glastonbury, like gourmet falafel vendors and taxidermy classes.

The success of Boxpark has been largely driven by tourism and a white, middle-class demographic of ‘alternative’ shoppers, and unarguably it has played some part in the pandemic that is now referred to as ‘Shoreditchification‘. By parachuting this type of demographic into Peckham, so quickly and efficiently, the diverse and cohesive community and businesses that already exist will be undermined, purely on the basis of knock-on rent increases.

A Boxpark can pop-up and then just as easily pop-off leaving the local market and small shops high and dry with “enhanced” rents.

We don’t need this spray on gentrification.

 

Please feel free to leave your comments below.

Get in touch if you would like to contribute to our film about the Peckham Rye Station and Gateway Area Redevelopment Project. Just email: production@spectacle.co.uk

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New Metropolitan Mainstream at its end?

The term, New Metropolitan Mainstream, brings together different processes leading towards an increasing economization of urban life: gentrification, urban regeneration, forced upgrading of neighbourhoods, luxury transformation of entire inner city areas, privatisation of public goods and spaces, instrumentalisation of flagship projects and international events in order to attract international investments and people with a high income.

Was the financial crisis the end of the New Metrolitan Mainstream? It seems it was, at least for the investment in prestigious cultural flagship projects in the US.

A study of the Cultural Policy Center, University of Chicago found out: 80% of new or refurbished buildings of the period 1994-2008 were a product of completely wrong calculation. Some museums had to close down only a few years after their opening. Many concert halls and theatres have huge problems surviving. The “Bilbao” Effect did not take place. And the amount of new buildings in the cultural sector is far beyond new hospitals or educational institutions.

Read more

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John ‘Black Power Salute’ Carlos speaks in London 21st May 2012

John Carlos, who marked his medal at the 1968 games with a raised fist ‘black power’ salute, will speak about inequality, resistance and struggle in London on Monday 21st  May 2012 at a meeting organised by members of the RMT trade union on the London Underground and sponsored by the Fire Brigades Union. The famous gesture by John Carlos and fellow medal winner Tommie Smith epitomised resistance to racism.
The world is under the spell of the Olympics 2012. In these times of global gathering around an sports event, resistance is the best Olympic spirit according to Olympic athlete Carlos. Resistance against inequality and being pro human rights.

At the Olympic Games in Mexico City John Carlos created one of the most powerful images of all times. When the American anthem started, he and Tommie Smith bowed their heads and raised their fists to represent the Black Power movement of that time. Their way of dressing and posing represented symbols for working people, black poverty, peace, and lynch mob victims. In defies of the important Olympic rule: no politics. This controversial gesture created huge debates about politics. Carlos’ athletic career was over, but his human rights spirit did not die. He represents personal sacrifice for humanity and equality and this is your chance to hear him speak in real life.

John Carlos will be joined by activist and campaigner  Doreen Lawrence, whose son Stephen was murdered by racists and whose long battle for justice brought the conviction of two of his killers earlier this year. Also on the platform will be Janet Alder, whose brother Christopher died in police custody, and Unite Against Fascism joint secretary Weyman Bennett.
Other speakers include Samantha Rigg-David from the Sean Rigg Campaign for Justice and Change and United Friends and Families Campaign, Sharhabeel Lone of the We are Babar Ahmad Campaign, FBU general secretary Matt Wrack and Mac McKenna, an RMT activist on London Underground.

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